John UM
Science fiction novelist Ogawa Yoshimizu suddenly realized that we are creating a pyramid-like miracle of no one before and no one after. What he meant was that after autonomous driving became popular for a thousand years, people would not understand the road traffic system of this era
- “In just one and a half centuries after 1900 AD, people drove vehicles all over the world.”
- “In an era of neither active safety devices nor global driving systems, how do people drive a billion motor vehicles?”.
- “It’s entirely driven by an individual.”
- (dumb speechless).
- “One billion people are driving manual cars. Although it is unbelievable, it may be true.”
In the future, people in the future will use surprise and suspicion to treat billions of people without any automatic safety devices and drive vehicles that can move at a speed of 100 kilometers per hour exactly as they wish. Times
After 5000 years, people may have to talk about: “The vehicle can not be driven without an automatic driving device; but the automatic driving device will not be invented without the vehicle. This is simply the paradox of chicken first or egg first. On why, in the end, motor vehicles were born? “.
There is only one corner of the history book, and the next line will be noted: ※ Maybe in the shortest time in the earliest history of the vehicle, people used to manipulate the car with their hands and feet
(https://twitter.com/ogawaissui/status/1209720963941593089).
The light novel writer Yoshimi Tokiyuki said that if a work tells “it will not happen, it cannot happen, but if it happens, it will be a very interesting story”, then the law of the world of the work belongs to the author, and the author can Use “because it is more interesting to write” as a reason is contrary to reality
If a work tells “it won’t happen, it can’t happen, but maybe an interesting story that can really happen”, then the laws of the work world are based on the world, and the author must abide by the laws of reality
If you look at the previous story by the latter standard, you will be given a “too unrealistic” and “not the same as fact” evaluation. However, the style and standards of the two stories are different. It is like measuring the British product with a metric ruler and determining that “this size is wrong”
If you use animation as an example, the former is probably “The Son of Weather” and the latter is “In the Corner of the World”
(https://twitter.com/takamikazuyuki/status/1209258412401278977).
Light novel writer Uno Puren believes that he has developed an “interesting” sensibility by reading “Afternoon” magazine. Today, he believes that the important factors of “fun” are “human touch” and “fun”. There is such an idea, which is a variety of “interesting” savings that I have seen in reading
When Uno finds out that “there is also such a” fun “”, his preferences will be broadened. He is confident that he only has this number of experiences and will not lose to ordinary people. He hopes that he will keep in mind in the future, not to exclude things that are interesting, fresh, and different from himself
It is a difficult question to ask what “human taste” is. Uno believes that “although it is unreasonable, it is action that will be taken” is a good example. For example, Ikuta is angry with Chamieu in the first volume of his work “The North Star of the Mirror”, and Riolivivi in the first volume of “The Seven Demon Swords Dominate the World” feels that he should escape but choose to stay. This is not the same as the rational command of the character, but it is undoubtedly an action from his own personality
Conversely, I usually follow the role of free feelings to a certain situation, but stubbornly need to implement reasonable attention. This can also be a human touch of “bound by reason”
When talking about humanity, whether reason is emotional, reasonable or unreasonable, these are not essential. The important thing is that “a person’s personality contains multiple vectors”, which is the “swing” of a character who can’t explain it with a sense of purpose and motivation
Uno believes that if you are troubled by the lack of vitality in the creation of the character, you can pay attention to the character’s “second vector” and “the thing done” as opposed to “the thing you want to do”. As long as this is added, the characters will become more alive and amiable
(https://twitter.com/UnoBokuto)