John UM
Illustrator Yoshida said that in his student days, one day, a beautiful school sister said to him: “I want to introduce my sister to you, you take her to a movie.”
Yoshida thinks it is not good to ask the school sister to “give me a photo” or “the chest is not big”, so I smiled and answered: “Wow!”
That weekend, Yoshida and the 5-year-old girl watched “Pokémon”, and the sister saw the love movie with her boyfriend in the next theater
Sister Xue did not say a lie, the fault is the negligence of Yoshida himself. Since then, he has broken into the mountains and lived a life far from women, electronics, meat, gyro and social networks
(https://twitter.com/ononon/status/1108178017765871616).
The light novelist Chuanan squid said that many light novel writers will soon give up after debuting. This question is not a fault of anyone. Instead, it is a special person who insists on being a light novel writer, for example, a work. The best-selling big earners, for example, have communication barriers and don’t want to find other jobs, for example, the family is tied to the hostage by the editorial department
Chuan A feels that human beings enter the state of creative mode, and the radioisotopes of similar elements will soon greet half-life, and it takes a lot of energy to maintain that state. Therefore, they can only radiate cleanly into a stable nuclides, or they will dry weakly in the long half-life, or repeatedly burn the ideas that have been used once like the Wenshu multiplication reactor. This kind of, like the Manjushri reactor in reality, is prone to accidents
(https://twitter.com/ougyo_kawagishi).
There are probably few who are willing to rush to consume their talents and enthusiasm. So, how can we extend our half-life?
Illustrator, cartoonist CuichuanしんSay, when people are young, they will be praised as long as they draw. When I grow up, painting becomes a matter of course. Even if we achieve a certain quality, it will be “taken for granted” and we will not get a response from others. Even if you work harder to achieve a higher level and achieve progress, it will still become “taken for granted” in a blink of an eye. Therefore, it is also important to make reservations to a certain extent without excessive pursuit. Your “taken for granted” is already very powerful
Cui Chuan did not understand why the predecessors would say “use 80% of the energy to paint”, but now she has deep experience in all aspects. Recently, she found that if she used 80% energy to write a pen, she could yearn for the remaining 20% of the “degree of completion that she had never seen before” and paint happily. And if you come up with 10% energy challenge, you will soon get tired and breathless
(https://twitter.com/Zebraquestion/status/1108143338471878656).
A netizen “ラピさん” raises a question: Why do animated audiences rarely discuss performances? Compared to painting and scripting, there seem to be very few people discussing the performance
Animator Shinji said that as long as I imagine the “show processing” in the actual animation performance business work, I will understand the reason: in the animation work itself, there is no material produced by any performance
The scripter wrote the script, the animator painted the original animation, the art painted the background, the color effect added the color, the sound added the special effect, the music wrote the song, the seiyuu gave the character a voice… all the other departments People, in their finished works, have clear results of their own, and the performances are not
To tell the mirror, not all performers will draw their own paintings. There are also performances and supervisions that do not draw a mirror. The performance is not equal to the painting
The performance of this department, the original essence, is to coordinate the duties of various departments. Instead of making anything, they don’t make any contribution to the work by combining the materials handed over by the experts and giving instructions to the experts
Therefore, it is difficult to understand the technical level of this performer without seeing the actual work of the performer at the production site and seeing the finished work
(https://twitter.com/arasan_fourth/status/1108269204774359040)
The performer’s leaf picking Tianxu made an analogy: an animated performance with no paintings, very similar to an orchestra conductor who did not play. But the former is not seen in the sky, but the latter is the star under the spotlight
(https://twitter.com/hatsumidashiyo/status/1108298641205137409).
Yehada forwarded the animated producer 榊 宗 比较 Compare Tobacco and the other two CG animation tweets. He said that CG animations will not appear to be broken, but instead, “shows collapse”
How can the show collapse? He said that the show collapsed and the audience would not know which part of the picture to look at. Even if the audience does not understand the performance at all, it is possible to understand the pros and cons of the performance through this point. If you feel that you are concentrating on watching the 24-minute picture, it is very likely that the show has collapsed
Ye Qingtian also said that once a big supervisor said that the performance is to instruct the audience to “see here” work
Seeing videos that you are not interested in, you can best understand how good or bad the show is. If you are not interested in the content, but you will still look at it, it means that the show is very clever
(https://twitter.com/hatsumidashiyo).
Animator and performer Aoki Yu pointed out that if the painting is good or bad, the layman can also see it. But what about the show? Don’t talk about the general audience, even many people in the industry don’t understand
What he said “understand” is not the abstract analytical ability of “what works are good”, but the ability to clearly analyze which works are so beautiful and summed up into language
Being able to analyze and refine the language means that reproducibility can be ensured. Performances that can do this will continue to increase their technical reserves. It is necessary to understand the technical reserves of the performers behind the screen, and it must be those who have the same level of performance. If you observe and analyze the object, using a higher-level logic than you, there is no way to analyze it
Therefore, there are very few people who can talk about performances. And even if there is, there are no media for them to publish a long story
Aoki believes that this is the fundamental reason why few people talk about animated performances
In Aoki’s eyes, the indicator of “the ability to talk about animated performances” is “can analyze and talk about this work with more than twice the total duration of the favorite animation.” Those who have carefully watched the 30-minute animation, but can’t talk about the 10-minute performance analysis, either don’t understand it at all, or the animation content is extremely empty
Many people say that to improve the performance technology, you can watch animation and movies. However, Aoki feels that it is not very meaningful to see more works. The nature of the performance is the same as the language. People who don’t understand words and grammar, listen to more English broadcasts, can only use the content of the broadcast as “sound” and can’t learn the language
Aoki is convinced that to master the performance technique, the most important thing is dialogue. In order to improve the performance ability, there is no other way than to convert the logic of the image into a dialogue of the language objects. Watching 10 movies and talking to others is more nutritious than watching 100 movies
In addition, after the performance technology exceeds a certain line, you can self-produce, and you can constantly understand various things, so that you can analyze the performance techniques of all screen performance. This is also very similar to the language. As long as you have a high school English level, you can continue to improve your English skills by listening to others
Aoki also pointed out that, amazingly, animation can be established as an image even if there is no performance. This is because the animated picture and sound each contain many symbols. Just like the ink test, even if there is no collection of information intended by the producer, it is possible to reconstruct a lot of information in the audience’s head. This is the kind of late-night animation that “can see but can’t get into the brain”
And the animation is even more terrible, even if the performance is a waste, professionals in all fields of painting, sound, and performance will guarantee the quality of the materials provided by them, so the finished works may not be exposed at first glance. Many of today’s TV animations are supported by this part
(https://twitter.com/otarou01/status/1108322320265822210).
For the insiders, mastering the professional performance theory is of course an indispensable professional quality. But for the average animation enthusiast, what does it matter if you don’t understand what is the performance technology?
The writer who has interviewed many outstanding performers, Maeda Kyu, said that even if you don’t use the subject of “how to perform,” just say “that scene describes these things, I think it’s such a theme. This made my feelings touched like this, I like it very much, it is enough. And as long as you can watch the animation seriously, use your eyes, your ears, your heart to understand, you can say such words
It is important to love, love
(https://twitter.com/maeQ/status/1108411524618477568)