John UM
The blogger and light novelist Daxi Science tells a story:
Just that morning, I was finally 16 years old and I was preparing to be a brave man to see the king and embark on a journey to defeat the devil. The courier sent me a kitten. The kitten was very close to me from the beginning, holding my fingers and face. As soon as I was out of the room, it was “喵~?” “喵~?”, showing an uneasy look. The cat is probably the devil
(https://twitter.com/onisci/status/1135520594475139073).
Network novelist drifting a month to share a conversation:
- “The world you want to reincarnate, there is no dispute, no enemy, it is a world of peace and quiet.”
- “Great. What can I get open-up ability?”
- “I give you three abilities that are essential in this world. They are radiation protection, chemical protection and infection protection.”
- “Wait a minute.”
(https://twitter.com/Hyougetsudou/status/1135567455584043008).
The creatures that will become enemies are extinct, and naturally there is no dispute. O(∩_∩)O
The cartoonist Xiao Ximing Rixiang said that when she signed the book for the first time, the editorial department told her: “Which paintings can be used, but you should never use Baile to wipe the gel pen.”
The ink used in the Baile erasable pen becomes transparent at high temperatures, and erases the heat by frictional heat generation. Previously, there was a comic book such that the erasable pen was signed on the book, and the result was a record-breaking high temperature. Later, readers reported that the signature on the signature book disappeared…
(https://twitter.com/3Fe2O2Fe3O4/status/1135755370289172480).
Some readers added that the book will be returned when the book is frozen in the refrigerator for one night
Cartoonist Quan said that when he couldn’t think of comic material, he had come up with a way: find a movie he hadn’t watched, watch the 10-second trailer, and imagine what kind of story would be. Then modify the scene and the characters into comics. Although he has not practiced this method himself
(https://twitter.com/izumi000/status/1135584617484832768).
The light novelist Sakamoto Yuichi saw the movie “Godzilla 2: The King of Monsters” and thought about a question: Where does the realism of the monster movie come from? Why do we think that these movies have real feelings when we watch the legendary version of Godzilla, Godzilla 2: The King of Monsters, the wild version of the new Godzilla, or the Marvel Superhero movie. ? Let us feel that the film that lacks realism is wrong.Is
A different budget? But Sakamoto thinks this is not a problem with the weight of the picture. He believes that “Invincible Superman Zanpot 3” has a great sense of realism as a super robot animation, but even when broadcasted 40 years ago, Zanport is notoriously low budget
Why does Heisei Camilla have extraordinary realism? “New Godzilla” can make people feel extraordinary reality and why? Sakamoto thinks that this is the same thing as “why we see animations that are more real than real people” (of course, we must also divide the works)
Uses similar group of props, similar settings, similar stories, why some works can make people feel real, and some can’t? What is the difference between real goods and knockoffs?
For example, when “Star Wars” was released, some commented: “When I read the space opera novel, I already knew that there was such a world. But it was the first time to see the world with my own eyes.” I have heard people watching Peter Jackson’s “The Lord of the Rings” movie, and said: “Why can the director restore the scenery I read in the book intact?”
Why do these works have such a sense of reality? As a creator, Sakamoto believes that the only way is to not blindly follow the conventions and precedents, examine and discuss every natural description: “What does this mean?” “Nothing else to do?” “Do you describe it?” ?”.
Kurosawa’s time drama is just like this. “2001 Space Roaming” is an expert from all walks of life to verify all the settings and create the future world. In other words, the method of creating a sense of reality may be that the creator can believe in the world to what extent, while at the same time being able to doubt, examine, and reconstruct the world to what extent
Sakamoto looks at the movie and thinks about it: not just Godzilla, why should the monsters that the audience should have seen since childhood be portrayed like this? Why can it be portrayed like this? Why? He concluded that the key thing is still how much care can be done with these natural tasks. Of course, the taste of the creator is also essential
(https://twitter.com/sasamotoU1)