“22/7” (according to Japanese, the method is 22/7) is a 2.5-dimensional virtual seiyuu idol composed of Akimoto and Sony Music Records and Aniplex, with “digital idol group” and “passing the idol of the dimension” The main idea. The project includes many projects, including music, performances, MVs made by 3DCG, reading dramas, and recently popular Vtuber. The animated short film mentioned in this article is also one of the projects. The title of the short film is “The Day of the Day”, which tells the daily life of the eight idols. . The

7 episodes of the short film is active in the CloverWorks (formerly A-1 Gaoyuan Temple Studio) young performer Ruolin (the representative of “Erogan A teacher” 8th), character design and painting supervision is the mouth Yukiko (the first animation related work since Kyoto animation). Because there are no special scripters in the 7 episodes, all of them are responsible for Ruolin, so Ruolin has a lot of control over the 7 episodes. Although the theme is a common beauty girl’s daily life, but under the hands of Ruolin made a completely different ordinary TV animation texture. .

动画Youtube地址, Chinese subtitles can be used to do Bilibili search “the day of the day”. .


Pursue the ultimate sense of nature.

The feeling of heterogeneity in this film is very much due to the pursuit of reality, including sound, lighting, lens, character action, etc., the sound is the environmental sound as much as possible, for example, the first episode (DAY1) indoor wind There is a clear difference between the wind and the outdoor sound. The sound effect is obviously made separately. In the third episode (DAY3), even the sound of the clothes rubbing when picking up the headphones is made. In ordinary animation, it can be said that there is absolutely no need. .

The same background music is also used very cautiously, except the fifth episode is the character’s inner monologue, plus dubbing, the other has no background music, the second and sixth episodes have some background music but more like a restaurant The radio and game halls are about to close the store. (In addition to the production of short films, there are some songs in the selection. Although the background music is small, the songs of some characters, the sounds in the headphones, and the reminders of the rice cookers seem to be famous songs). .

It seems that after the fifth episode of Ditf, the frequency of light and shadow performances has increased a lot. In order to be true, the correct way to play is indispensable. .

Specific light and shadow performances will be explained in the following specific examples. .

The lens is based on the static lens that is standard in the real performance. Most of the lenses can feel the obvious camera position. It is accurate to let the audience feel the position of the camera. It is also one of the means to highlight the truth and nature. Thanks to the strength of the original painters. Other long shots, such as the seventh episode (DAY7), that are facing away from the camera are also very uncommon in animation, but it is not surprising to appear in real shots, but also gives the audience a real feeling. .

In terms of character action, it is obviously conscious to pursue the “glamour element of the girl” outside the traditional TV animation, or it may be part of the pursuit of the 22/7 plan itself. Nowadays, mainstream beauty animations, such as those led by Fangwen’s diffuse animation, are deeply criticized by the mainstream media’s so-called “stacking of elements”, such as the “natural stay”, “Tiaojiao” and “Loli” often mentioned. Wait, these have gone far from reality. These charms that exist only in the “secondary element” are copied without any slight “natural feeling”, and they are contrary to the theme of 22/7 “beyond the idol of the dimension”. .

Actually, the girls in the real world also have lovely places. If Lin Xin wants to show this part, the specific examples are not mentioned here, but I believe that it is difficult for the short film to find a lot of similarities with the previously animated characters. Character. This is actually very similar to the theater version of Ghibli produced in 1993, “Hearing the Sound of the Wave”, which is also the expression of the charm of the girl who is not a traditional routine. .

The above-mentioned sound illumination lens is actually the ultimate goal for the role of the performance of natural reality and service, from the reality of the environment to set off the reality of the role. .

Highlights on the details of the show.

Short films often don’t make up a specific story, but they often make interesting twists and turns. This is also the way for many CM commercials. The first episode of DAY1 is one of the typical ones.

The story is that Saito Nikolu (Blond) went to the top of the rooftop to find Luanchuan Meiyu (black hair) to practice, but the reason did not tell the audience beforehand. Saito Nikolu first saw the scene above, very CD album. The feeling of the cover, the composition of the segmentation is very beautiful, which also allows Saito Niko to stop and appreciate it. The instant performance of the opening door used a large contrast of brightness and sound to highlight the beauty of Sasakawa, and Saito Niko was also hit. In fact, at this step, the performance intentionally made everyone feel that Saito Nikolu was opened by the attraction of Sasakawa. .

But after the performance immediately took the impact, Saito Nikolu calmly said that “warm to start”, this is a turning point, while Saito Niko can be called to 泷川美羽 to warm up and feel The charm of Miyagawa’s Mei Yu is not contradictory in itself, and it is a good connection between daily life and character charm. . The highlight of


DAY2 is the performance of the two characters confrontation. The animation is a normal state because of the problem of the body cut. It is very strange that the character does not move in the real movie, because the normal person cannot be completely without any action. .

On the left, Maruyama Hiroshi wants to prevent the right side of Kono from pressing the button of the caller, and the two are stunned, but if both of them are completely motionless, then for the audience, only the animated picture stops, not two. People are continually squatting, so the show adds an old movie-like filter to the screen. The screen is slightly shaking and flashing. During the period, a waiter walks past the screen to let the audience feel the existence of time. The background music here is also very familiar, and I chose the old movie-like soundtrack. . The way to cut a mirror in


DAY3 is very interesting. .

The above two lenses are completely connected lenses, there is no empty lens or black screen in the middle (a black screen is used to switch time in DAY4, it is more common), but there must be a time between the two lenses. It exists because the position of the standing Tachikawa musk has changed. That is to say, Tachikawa Muka poked Toda’s face, but Toda was not waking up for the first time. It was only after a while that he woke up. .

So here I used the window reflection to make a more-axis performance, which made the audience feel different, suggesting that the time is not continuous. .


DAY5 performance is more subjective, not a specific story, but the monologue of Miyagawa Miho, but the title of DAY5 is Saito Nikolu, contrary to DAY1, telling Saito Ninja from the perspective of Miyagawa Meiyu The fascinating charm, Saito Niko’s performance from the shadow to the bright spot made the audience impressed, and at the same time led to the dialogue. .


As mentioned above, the long shots in DAY7 are not only common in animations, but also the movements of the two characters have not stopped. Because of the normal situation, in order to save the number of paintings, a certain degree of omission will be made. Doing the omission instead highlights the realism. .

Conclusions.

If Lin can do this without a professional scripter, the understanding of the role should be very deep. I think that this project should not only be in these 7 short films, but then There will be follow-up animation works, as for the form, everyone will wait and see.


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