John UM
The revue of each of the “Girls ☆ Opera Revue Starlight” has its own characteristics, and the corresponding Revue song (the song played during the revue selection) has also received a lot of praise. The website of the animated music magazine has also been published recently. The music producers of “Little Songs”, Tanishima Tiehei, Yamada Equity, interviewed with the lyricist Nakamura. The trio gave a detailed introduction to the revue of each word. .
.
Noji Tieping is a producer of PONY CANYON, and Yamada Fair is a producer of AP DREAM. .
八话.
RE:CREATE.
.
Song: Kagura (CV: Sansen Bell), Oda Nana (CV: Koizumi Mengxiang).
Lyrics: Nakamura, the other side.
Composing and Arranging: Sanhao Qitai.
Orchestral arranger: Fujisawa Kyoko.
The eighth word of the revue song “RE: CREATE” is the name of the island to be three good Kai Tai composer, Sansen’s “スマイリウム” is also a good song. In the view of Nojima, Miho is a composer who is good at guiding the audience to engage in emotions through songs. In this eighth revue song, Nojima asked Sanhao to create a song with a strong change in emotions, and finally got a three-flavoured song. .
Yamada also appreciates the revue songs of Sanhao. Although the music is biased towards pop music from the production, the transform tempo (two or more beats alternately) in the song is extremely frequent, so even if it is ordinary Pop music is also very good for people to appreciate. Nojima also praised the three good composing techniques. Although it was accidental, the song started from the 7/7 beat, and it was just the same as the Nana in the eighth sentence (Japanese 7 is the same as Nana on the pronunciation). .
Nojima continues to praise Sansen’s expressiveness, and the song has a persuasive power. Not only is Nojima, Nakamura is also infected by Sansen’s voice at the recording site. Koizumi’s incense is also heard every time I hear Sanson’s song. .
In the eighth sentence, the reproduction of light begins with the first phrase after the sound of the music box in the song. Nakamura hopes to let the light shine from the moment through the lyrics, and her true feelings bloom like flowers. In the first vocal and pure revue, the light basically did not reveal his true feelings, and the eighth sentence was the same before the flower dagger blossomed, and the lyrics could not express the true feelings of light, so when the light After the weapons were opened, Nakamura wanted to match the picture here and show the true feelings of light. .
The lyrics “Start (Open)” was originally set by Furukawa, and the lyrics afterwards were consciously divided into two sections by Nakamura. The lyrics of the second half of the light “have not admitted defeat, will not give up (to lose けない 谛めない)” was performed by Sansen. Nojima also lamented that in this case, the light can finally reveal its own voice through the lyrics, not the lines. Sansen himself is also singing more than the last time, no matter how many songs are recorded, so Koizumi will be moved to cry every time. .
ninth words.
星々の绊 .
.
Song: The big game Nana (CV: Koizumi cute incense), love called Hualian (CV: Hill EMI).
Lyrics: Nakamura, the other side.
Composing and Arranging: Fujisawa Kyoko.
The ninth words, the chorus part of the revue song is all sung by Koizumi. Considering that the part to sing the character is reasonable, basically the revue song is not a chorus of chorus. Obviously the characters are still fighting on the field, but they can hear their own harmony, there are some strange, but the ninth words broke the bondage. Because Nana has been in the loop, Furukawa wants a sense of horror in the song, and also requires the feeling of multiple chorus in the song, so it eventually becomes the form that Nana himself sings. .
The composition of the ninth revue song is the third song of the song Fujisawa Kawasaki, Nojima appreciates Fujisawa, because Fujisawa can understand the requirements well, and immediately gives a reply, so the important number will be paid I am responsible for Fujisawa. The ninth statement not only cures Nana, but also loves to release the loop. Therefore, when the Chinese love wins, the song becomes gentle again. This change is quite like the wild island.
In terms of lyrics, Nakamura uses the lyrics to create a feeling of adoring Nana. Nana’s stubborn performance in the first half, Nakamura through the first three lines of lyrics show Nana’s big devil sense, and then use the soft lyrics of Hualian, and then lead Nene’s gentle lyrics. If you don’t start with strong lyrics, you can’t create a sense of uneasiness at the beginning of revue, so Nakamura will add attractive elements to Nana’s lyrics. In the end of the eight or nine words, Nakamura added the word “Star 绊 (星の绊)” in the lyrics, which is the word that Nakamura deliberately used to connect two words. .
The composer of the story, Fujisawa, and the other important composer of the film, Sanhaoqi Taitong, belong to the same music firm FiveEighth inc., so the recordings of songs and songs were made in this office. Yamada mentioned the policy of choosing a composer this time. Because the playmates of the girl opera and the revue song are closely connected, the composers who are found are basically knowing the roots, to ensure that everyone’s consciousness is as common as possible. Although the playmates of the girl opera are jointly produced by Fujisawa and Kato, in fact, the two are not working together, but each is making a song. This way of working, just like revue, the two can stimulate each other and make better songs. .
Tenth words.
-Star Divine- フィナーレ .
.
Song: Love is called Hualian (CV: Hill EMI), Shenleguang (CV: Sansen Bell).
天堂真矢 (CV: Tomita Mafan), Saito Klodina (CV: Xiang Yu Yasna).
Lyrics: Nakamura, the other side.
Composing and Arranging: Arte Refact.
The tenth words “-Star Divine- フィナーレ” was adapted from “Star Divine” because “Star Divine” was first produced for animation, but Nojima first gave the sample to the game in Furukawa. I don’t feel anything about the song. However, after watching the performance of the musical, Furukawa said, “I want to use this song in the animation!”
Although the original part of the original song “Star Divine” has been modified, but the length of the original song is basically maintained. There are four people in the revue of this story, so the singing is also sung by four people, and the lyrics are also rewritten by Nakamura. Because there is no revue song of Clo’s so far, Nojima wants Crowe to sing in this. .
Changing the lyrics in Nakamura seems to be a good betrayal in order to match the lyrics. For example, when the lens is cut into several people in the audience, the lyrics are “not allowed to blink, not allowed to move under the line of sight (まばたきもできない この瞳をそらせない)”. .
In order to let the audience feel the feelings of Crow on the real, Nakamura also used the lyrics to dig deep into the personal feelings of Crow. For example, through the “central stage only to accommodate the next one, but I will never be alone, the lyrics of the stage, the lyrics of the 舞台 にはたった,, ,, ,, 引导”Is it true that it is true?” “
Because Nello has no revue songs in the whole film, Nakamura is also sad. So in a sense, it is more interesting to add the Closolo part to the revue of the words.
The eleventh, twelve words.
The stage girl’s heart and the scene.
.
Song: Love called Hualian (CV: Hill EMI), Xingjianchun (CV: Sato).
露崎真昼 (CV: Iwata Kasuga), Shisuke Shuangye (CV: Sheng Tianhui).
Hua Liu Xiangzi (CV: Ito Saita), Oda Nana (CV: Koizumi Momo)
Saito Klotina (CV: Xiang Yu Ai Nai), Paradise Shinya (CV: Tomita Ma Fan).
lyrics: Nakamura Bifang.
Composer: Arte Refact.
Arranger: Kato Tatsuya.
スタァライト.
。
Song: Love City Hualian (CV: Hill EMI), Shenleguang (CV: Sansen Bell).
Lyrics: Nakamura Bifang
Composing: Fujisawa Kyoko, Kato Tatsuya.
Arranger: Fujisawa Kyoko, Kato Tatsuya
The eleventh words of “The Stage Girl’s Experience” is not so much a revue song as it is a drama. The original song “The Stage Girl’s Experience” was adapted by Kato to the lyrical version of “The Stage Girl’s Experience”, but the lyrics are completely unchanged from the original. “The Stage Girl’s Experience” and “Star Divine” are the songs of the 99th album “プロローグ-Star Divine-”. In the animation, the song name becomes “-Star Divine- フィナーレ”, “stage girl” Experience is between the curtains. The reason why I want to change my name, Nojima explained, this is because there are all kinds of props in the animation, so I also want to add a small suffix to the music to make a similar effect. .
The final revue song (the day of the interview) is still in production, and the final revue song is adapted from the playmate. In order to allow the playmate to be established as a single song, Kato and Fujisawa are very careful about the production of each soundtrack. Furukawa will choose his favorite songs from these playmates, and please add Kato and Fujisawa to revue songs. The lyrics of the twelve-voice revue song, Nakamura only took three hours to complete, but it was originally two hours. Although the time is very fast, but Ye Hao believes that eventually will make a great song. .
Because most of the previous songs, or the songs in the drama, most of them are done before the animation is completed. Basically, after the songs are handed in, it is necessary to see the animation and then the island will know the final result. So Nojima hopes that the last revue of the song can work in close connection with animation. For this reason, no matter whether it is recording, V-editing, or other processes, Nojima will try to go, and still go to Yamada. Because a lot of valuable content is brought back from the scene, there will be a feeling of moving forward together with animation. .
Reward.
From the music production of the girl opera, Yamada found a way to solve the problem that plagued himself. Yamada’s company will produce a variety of animated songs for seiyuu singing. However, due to the limited sound lines of animated characters, there are many restrictions on music production. Yamada feels that he is already poor at making things, so he has been looking for ways to break the status quo. The girl opera program does not make music based on the voice of the character, but produces high-quality music based on the voices of the seiyuu. Yamada believes that this can produce high-quality music, which also provides solutions for Yamada. An idea of the dilemma. .
Nakamura has been deeply involved in the planning since the initial stage of the project, and has gained a lot of valuable experience. Because it is difficult to see the whole process of production, Nakamura is reluctant to end the project, jokingly said, want to loop and participate in a production. .
Nojima has been exposed to many contemporary music staffs during this music production. Fujisawa, Kato, and the technicians who composed the music, even Furukawa’s supervision is the same generation as Nojima. Communicate with people of the same generation and work together. This plan, which is mainly attended by people in the 30-year-old age group, is under the guardian of sound supervision Yamada Yang. The whole staff is like a crew member on board. There is no pressure in the work. It is purely pure enjoyment, although it is also hard. Where, but more like the feeling of playing a new game when I was young. .
Nakamura asks Nojima, do you want to come again? Nojima responded that this would only be achieved if Nakamura wins in revue. .
References: . TVアニメ『少女☆歌劇レヴュースタァライト』音楽スタッフ座談会後編