John UM
Science fiction writer Ogawa Izumi said that he obviously likes the picture, but he doesn’t know why, but his own book cover can’t be used. In the final analysis, many of his works have no human beings at all, and naturally he can’t paint a cover
In the novel of Mr. Ogawa’s novel, it is rare that there is a “genuine shipアンヴェイル” with human appearances and a cute cover. He won his favor and the result was originally three volumes but two volumes. Was squatting, making him more sad: why people are not interested in sailing…
(https://twitter.com/ogawaissui/status/1075661099922382848).
The light novel writer Ping Yu read that when he writes the color scene, he often writes and writes himself and is excited to write. Ask other writers again, some people say that they often have this kind of experience, and some people have never experienced it before, and the two factions are distinct. He doesn’t know which kind of mentality is better
(https://twitter.com/hirasakayomi/status/1075744940741689344).
I think that there may not be many readers who care about the mentality of the big masters when writing color scenes, so it is best for the beautiful girl writers to tear down the tears and suppress the disgusting scenes
The performer Takamatsu Shinji talked about his memories of the first time in the “Mobile Suit Gundam ZZ” at the reception. For example, Fu Ye was written by Yu Jiu on the cover of his mirror. “This is a book.” “The evil part of the mirror”, redrawing the performance he wants to make into a reborn mirror, also wrote “This is the gap between first-class and second-rate”, and write “sticker! Stick figure on the mirror!” Stick figure!” Wait. The people at the reception heard a big laugh “He is Xia!”, Gao Song only smiled
(https://twitter.com/takama2_shinji/status/1075750386923757568).
Nowadays, Ryokan Masahiro, who is known as the “Starlight Boy” series, has also been subjected to the “Evil’s Eyes” supervised by Fuye in “Geng Da”
The light novelist Ikuno Ichiro teaches at a specialized school, and yesterday I took the last class before the end of the holiday
Kongno communicates with students. The students said that the methods (views) of different lecturers analyzing the same work are completely different, and they are at a loss. In the empty field, it is a matter of course that people and people will have different opinions. If they are not, they will lose their originality when they reflect on their works
Those students listened, but they were even more confused. They always thought that there was an absolute way of analyzing works. They just worries because they don’t know the method
空野 tells students that there is no single correct answer or incorrect answer to the analysis. When the students were surprised, they also seemed a lot easier
Although I am very happy to help students solve problems, on the other hand, he subconsciously thought that “the views of people and people analyzing works will be different” is common sense, not to mention the students should know. So the students had such an idea, and in turn surprised him and learned a lesson
(https://twitter.com/sorano009/status/1075760216929497089).
The light novel writer Sui Yilang suspects that the reason why students think so is that they have always received an education of “correct answer” from small to large. Even in the course of Chinese art music, there will be standard answers in the syllabus
Illustrator Kiyomizu Shimizu said that the artist will suffer from mental illness, basically because they rely too much on the only object of “painting”, so once they encounter setbacks in painting, they will feel that everything is When it comes to negation, it is a stagnation. To solve this problem, you can only increase the dependent objects, such as friends or other interests; but in order to improve the drawing skills, you must concentrate on drawing, which is difficult to maintain balance
Shimizu feels that the psychological status of married professional illustrators will be more stable because they not only have paintings, but also the family
For those who only paint, because the painting is praised by others, the addiction is comparable to drugs, once they have tasted it, they can no longer extricate themselves. In the long run, the evaluation of paintings will become everything in oneself. In particular, Twitter’s Weibo will speed up the process of dependence, which is very scary. Shimizu even felt that the painters who gave up painting were more dependent on the evaluation of the network than on the technical difficulties of painting
(https://twitter.com/you629)