John UM
Some netizens found that the heroine of the “Meeting Together” was born in 1959 in the setting, and this year is the year of the flower. The former innocent teenagers who once dumped for the ringers saw the tweets, and all felt embarrassed by the passage of time
(https://twitter.com/1kachou/status/1084701763251261440).
The cartoonist Shiina Takashi recalled that two or three years ago, he had seen the seiyuu of the singer. On the occasion of the departure, Shimamoto used the voice of the ringer to say, “Please cheer up,” the moment, the time has been distorted, and the uncles present have not returned to the youngster. Shiina sighs, the heroine who loved when she was young, will never die
(https://twitter.com/Takashi_Shiina/status/1085259411394748416).
WriterのざわよしのりWatch the second chapter of the movie “Fate/stay night [Heaven’s Feel]” at the cinema, and suddenly shake the seat when you go to the bed For a while, のざわthought that it was the neighboring Fate houses in the open behavior. It was not until the cinema that he learned that it was the earthquake that happened to have a magnitude of 4
(https://twitter.com/mad_yn/status/1084699725633269760).
Shisen Production’s cartoonist 瀬マサトsaid that some of the older employees sent him an e-mail to ask questions about Shisuke Mori’s work. He wants to reply “Google is faster than asking me”, but he actually googled a bit, but he saw the website with the wrong content. This made him dare not easily reply to others with “Google”
(https://twitter.com/hayasemasato/status/1085019368029806593).
Cartoonist TanakaほさなRead the new version of “Dororo” animation, I feel: he thinks that the great thing about the original comics of “Doruo” is that this part is not More, it has become the source of the imagination of many later generations of writers
In Tanaka’s view, this is due to the fact that “Dororo” as a work contains a very rich and diverse possibilities, but it has not been fully developed, and it has been shackled. Therefore, everyone will unanimously imagine what the “multi-roro as a possibility” that does not actually exist should be what it should be. In this sense, “Dororo” can be said to be the most stimulating work in the works of Tezuka Osamu
Tanaka speculates that “Unlimited Lives” and “Swords of Legend” should have been inspired by “Dorrow”. Of course, this new version of the animation is also a member of this pedigree
(https://twitter.com/tanakahosana/status/1085369116460896256).
The cartoonist Shusaki said that people who draw well are to upset, and some people may be depressed. But he felt that it is meaningless to compare people who draw well with themselves. Those who draw well can only match the people who paint better. So if the well-painted people have the skills they need, just learn from them. Thinking about whether others are stronger or weaker than themselves will only waste time. Learn from others, not with others!
(https://twitter.com/saintkisaki/status/1085010485529927681).
The light novelist Chuanan squid said that he wrote a novel about 10 years and got a feeling: when writing, he fell into a negative mood and felt “wow, nowhere to feel wonderful, to finish”, about Eighty is the illusion caused by the mental problems of the time. The things you write are not so bad. If you give up, it is too wasteful
And, conversely, if you think “Wow, this is a masterpiece” when writing, then 99% is an illusion. Really an illusion!
(https://twitter.com/ougyo_kawagishi/status/1085164582027448320)
The light novel writer Yuan Shanmeng saw a writer who had just published a debut. In the dialogue, Yuanshan said that “the writer who just debuted is the same as the newly-employed company employee”, and the other party seems to be somewhat surprised. So, Yuanshan explained his thoughts on Twitter
Yuanshan said that the new writer’s self-written works have won the newcomer award, and finally realize the dream of the writer’s debut, and then they will encounter the “curse of the second work.” Many newcomers will feel that they have to write a work that does not lose to the award-winning work. At the same time, they feel uneasy and feel that “if this failure, they will not be able to survive anymore”, and they will suffer from this contradictory mentality..
In this state of mind, if the outline or manuscript that the new writers endeavor to write is rejected, they will often sneak into the corner and feel that “I am no longer able to do it.” “Debut is only good luck.” “I really have no talent.”
However, newcomers who have just entered the job (debut) through the interview (call draft) can do a good job of going to the fate of the company (publisher) as soon as they come up? These newcomers may have such geniuses, but unfortunately, Yuanshan believes that most of their writers have only “normal” talents
And the “normal” people’s professional skills are so improved: although they will commit as many failures (rejected) as the beginning, but observe the work of the predecessors (work) to learn, adjust their own practices and processes, in this The number of major failures in the process has gradually decreased, and I don’t know when it will become decent
So in this respect, Yuanshan feels that instead of looking at the writer’s career as an artist, it is better to look at “the writer is just a job.” In this way, you will be less hurt when you hit the wall, and it is easier to think about how to deal with it
He encourages the writers of the younger generations: It is rare to have a chance to debut, and it is necessary to continue to write down for a long time, and grow up to become a senior writer who can shoulder the big project (masterpiece)
(https://twitter.com/Findal/status/1085367443420139521)