John UM
This year, the 50th anniversary of the animation, “Gig Taro” was first published on the cover of the 40th anniversary of the publication Animage. At the beginning of the volume, the special feature of “Gantaro” was launched. The concentrating interview was conducted with the new scriptwriter Inoue Yashu. In the sixth issue of “Gantaro”, Inoue’s “The Worship of Doom”, “The Spiritual Surgery of the Wild,” “The Lie of the Water Margin”… are all impressive and relished chapters. How do these famous chapters born from Inoue Yashu’s own perspective create their own feelings, and how do they feel about their female characters and monsters? .
The script that Inoue Yakoko took for the first time in this work is the 6th original “Oiyun’s rubbing”. The setting of rubbing is to absorb people’s essence and make people weak. At that time, the series formed Ohnogi. The director of Kuanhe series Xiaochuan Xiaozhi wrote only a “touching story” to her outline. In general, although there was a number in the heart, how to bring the story to the climax, it was still foggy. In the past, I didn’t learn the basics of the script and the composition of the plot. In order to write this, I learned it thoroughly.
In addition to the sixth, the rubbing also appeared in the opening of the eighth part of the same script, “Amazing! Mirror Grandpa’s Plan” B Part. Inoue said that the original Ogawa supervision proposal, I hope to join Ghost Taro at the end of the sixth sentence to invite the squatting to the scene of the clucking forest. However, Inoue said that he still hopes that this episode will lead to a sad atmosphere, thus canceling this scene. However, Inoue did not dispel the idea of letting it stay in the clucking forest, so in the 8th words, he added a rubbing picture, so that the audience felt that it also stayed in the forest.
Mirror Grandpa is the monster in the original, and it is also the monster of the 3rd second dream of the first appearance. For reference, Inoue also reviewed this episode. At the time, Inoue felt that the lascivious character of Grandpa was interesting. He usually looked weak and incompetent. Once he drank the wine, he became daring. So he thought of giving him a harassment of the catwoman, but it ended up being cold-eyed. End. In addition, the scene in which the glass is filled with flowers is also the scene that Inoue insists on joining. Because Inoue thinks that this kind of lascivious eroticism often has a very small female side.
The 15th words “The Spiritual Surgery of the Wild,” also received a very high response after the broadcast. Inoue revealed that in fact, the words of Grandpa Jing was originally the content of this game. Because the grandfather of the mirror is lascivious, and the ability is a mirror, the girls are sucked into the mirror world, and their faces are replaced by what they like. So, when Ghost Taro defeated Grandpa, the girls who were arrested would not thank Ghost Taro, but blame him. The story of Grandpa Jing is supposed to be the above. However, Ogawa said that there is a “Spiritual Surgery” in the original work of Teacher Shuimu Mao, and this kind of story is more suitable for this.
In the 15th episode, Fangye Luo’s strong sense of existence, unshakable pursuit of “beauty” and actions, the ending of the impact, etc., can also be called the sixth phase of “Gao Taro” One of the representative chapters. Inoue said that the ending of the story was also originally thought of when drafting the outline. Girls are the weakest in the society of male-centered rights, but because of this, they all hide the “rebellious heart”. Because they are weak, they want to be stronger than anyone. This persistent belief also exists in Miluo. Such girls hold the inner world. When describing stories that are centered on such girls, it is natural to have male characters that correspond to them, and they will help them break the inner world and bring them back to reality. If Luo finally grabbed Yusuke’s hand and teared off the face, he might have the opportunity to live a real life with him, but he did not do so.
Inoue said that this is a choice made for his own consideration. The problem of beauty is not the most distressed for adolescent girls, because beauty can really change their own world. But for a girl to change her “beauty (=world)” through spiritual surgery, she will eventually abandon it and exchange for a “love” of a sly man. Sorry, anyone who chooses will choose “world.” Because of this, you can get your own recognition. It’s just too far-fetched because of the boy’s “following words” and giving up the fact that he has already won the “world”. However, Inoue said that if he is himself, he will never choose this.
The 18th words “The Lie of the Water Margin” is a chapter in the original work. In this statement, the image of the peasant woman of Catwoman broke the beautiful fantasy in the brain of Ma Nai, but through this story, Ma Na has a new understanding of “Cat Sister”. . Initially, Ogawa’s supervision put the following requirements on the well: “I hope to let the catwoman do the farm work” “Let the monster do something”, so the idea in the well is to let the catwoman say “natural view” to influence the story of Ma Nai. “Grass, flowers, insects, beasts, people and monsters, everyone is the same, is the element of creating nature.” This sentence is also the favorite line of Inoue’s words. Ogawa’s supervisor also liked it, even when choosing seiyuu, he used this line deliberately. Coincidentally, at the same time, Inoue’s “hug!” The 28th words of the beautiful girl of light also appeared in such a line. “The dog is also a good cat, the bird is also a good fish, the robot is good, the happy mood is the same.” Inoue also said that he seems to be I like this sentence very much, but I didn’t notice it when I wrote it.
The 26th words “The temptation of beautiful paintings”, from the love story of Youna and the mother to the story of becoming a self-reliant woman, has a bit of bitterness. In the sixth issue of “Gantaro”, female characters, both humans and monsters, have their own clear consciousness and proposition. Inoue said that he likes to write stories about scary women. Like the monsters under Koizumi’s eight clouds and the female monsters appearing in Tono Story, the more horrible the more beautiful the more people feel the bottomless… I often want to write such a female character. Therefore, the female characters in the well are basically not bound by men. In addition, Inoue is often troubled, and his own chapters based on female characters seem to have no problem even without Ghost Taro. However, as a master, he still has to let him appear.
The 31st words “Red Beans, Red Beans, Red Beans, Red Beans” are also the same for the strong women, and the ending of the bitterness also left a deep impression. In order to save the reputation of red beans, the three people of the Red Bean Union are more likely to see red beans in their normal lives. For them, this is the real form of happiness. Inoue said that his understanding of the “good ending” often has subtle deviations from others. Some scripts will raise the atmosphere as a whole, and Inoue himself thinks that such an outcome is still in short supply and needs to be added. In such a situation, she likes to change the atmosphere slightly, to make a turn, and an unexpected ending seems to be more suitable for her own taste.
Finally, for the monster, Inoue said that he liked Inuyasha when he was in elementary school. Most of the origins of his own monsters came from Inuyasha and Tono Story, and the monster image in Ghost Taro was slightly Some deviations. But the story of “Gantaro” is more about combining monsters with human society, which makes the well deeply admire. Speaking of monsters, Inoue Yashu believes that it should be a sacred and noble image. For example, monsters usually have only one kind of action, which cannot be determined by good or bad. They only act on this principle. The human desire is filled with all kinds of material and feelings. In a sense, the monster is more pure than human beings. It’s just that the wilderness wants only the obsession of “beauty”, and the red bean joint army’s mind is only “red beans”. It’s such a simple idea that the inoue is full of embarrassment about the monster.
Next, Inoue’s back is scheduled to be broadcasted at the beginning of 2019. The source of inspiration is the story of Koizumi’s eight clouds, but it is a sad story, but it’s not good to go to the funny direction. I hope that everyone will be able to watch it.
[References].
- “Animage” December 2018