John UM
The NHK serial TV novel (Morning Drama) starring Hirose Bell is about to usher in the final return. Osumi Sumi, who was the scripter, was interviewed by Sponichi Annex and recalled the bit by bit when he created “Summer Sky.”
“夏空” is the 100th work of NHK’s serial TV novel (Morning Drama). The scriptwriter Dashou Shoumei, who wrote the Dahe drama “Wind Forest Volcano”, TV series “64”, Dahe Fantasy “The Elf Guardian”, the movie “39 Criminal Law”, and the movie version “Strong Wind Blowing”, wrote Xia Kong is also the second original morning drama he has played since the 2003 “Fair Family”. “Xiakong” tells the story of the heroine Aohara Xia who lost his parents in the war and was taken to the tenant family in Tokachi, Hokkaido. After graduating from high school, he went to Tokyo to develop a life story with the aim of animated original painters
Omori began writing around January 2018 until the end of July this year. One week after the completion of the manuscript, Omori felt that he had achieved the goal, but whether the TV drama was accepted by the audience at the end of the final, was still uneasy in his heart. Only in the end, the audience in front of the TV is satisfied, in order to let go of this big stone
This is the second time that Omori challenges the morning drama, but the pressure felt this time is very different from the previous one. Because it is the 100th work of the series, this name alone is enough for this work to receive attention from all walks of life. The actors who are headed by Hirose also strongly hope that this work will be successful. The speed of writing is also inconsistent with the “Cheerful Family”
Omori said that this may be an older relationship. Although it is also written weekly for a week, the speed of the draft is nearly double that of the previous one. Because the time for writing was earlier, I thought I could finish it before I started broadcasting in April of 19, and it would be difficult for Omori when the pressure was heavier than before
“Summer Sky” drama “Girls in the Prairie”.
At the end of the story, Xiao Xia and others used the ten wins as the stage to create an animation called “The Girly Sky of the Prairie”. Omori said that he did not intend to write a fixed model of this morning drama. Finally return to the hero’s life. However, under the suggestion of animation supervision, Nagano Nomi, who was born in Ghibli Studio, and Yangu Renmei, the young animated original artist who took the animation in the drama, it is better to use the ten wins as the stage to make a decision. Moreover, it is a matter of course that Xiao Xia, who grew up, finally returns to the ten wins. It is not unreasonable to implement the morning drama of the morning drama. Of course, this is also affected by the “100th Morning Drama”
“Xiakong” is not a story about the great achievements of the original animator Aohara Xia. The idea of Omori is to make a family drama. When I was a child, I took up Shibata’s home in Xiaoxia, and Xiaoxia arrived in Tokyo after boarding a “windmill” in the Kanto shop in Shinjuku. After that, Xiaoxia and the market married for a long time to build their own family. The story between these three families has never been disconnected. The stories that happen in their respective homes will eventually be reflected in the life of Xiao Xia
For example, in order to go back to Tokyo with the embarrassing eve, Xiao Xia looked at the back of his departure, and then contacted Xiao Xia’s short animation “The Candy House” in the “Tree Demon” Actions. Omori laid a lot of foreshadowing for the later development. Especially after the middle of the story, the stories of the three families interacted with each other, and the plots were unfolded, creating countless scenes that made the audience tearful
The narration by Neimura Nakamura, the ending of each time, “Little Summer, ~” and the weekly “Continue next week” are all designs from Omori, although both the show and Omori think that sometimes it is not necessary to clarify However, I still have my own temper to add this line to the narration, but sometimes because of the length of time, it is impossible to follow the original version every time. Omori sometimes looks at the clipped image and redesigns according to the atmosphere at this time. The narration of the lines, but the final judgment is still handed to the later stage
Omori usually does not search the Internet for everyone’s evaluation of the work. After all, the audience has their own judgments and choices to accept a work. Omori only sincerely wishes. “Xiao Xia, ~” In a sense, it was an attempt by Omori to give the narration a “father” impression. Afterwards, Neimura gradually grasped the feeling of his father. Omori is also looking forward to the narration of the inner village every week. To use the “Continue next week” to do the end of the week is the trap that Omori has buried. “I have seen this, it is impossible to not watch it!”
Although there is no communication between Omori and Hiroaki, he believes that there is a lot of commonality between Hirose and Xiaoxia, and it is natural to show this complicated role. Xiao Xia is a person who is lonely and therefore able to stand on his own feet. Hirose also has such a temperament, which will soon resonate with the surrounding actors and drive the atmosphere of the scene. In the eyes of Omori, the character of Xiao Xia and the qualifications possessed by Guangzhao are completely separate. Therefore, I can safely hand over this role to Guangsheng, and believe that her performance of Xiaoxia is the correct answer
When Xiao Xia became a mother, he continued the work of animated original painters. On this, Omori said that describing the social status of women has always been a part of the morning drama, and naturally made such a choice. This is a difficult topic. Even if a lot of materials are drawn from all parties, once it is written on the script of the morning drama, this will become an essential factor that cannot be avoided. Omori also made a lot of awareness for this
Xiao Xia’s theme song of the Japanese School Agricultural Club League, which was sung at the Tokachi Agricultural High School, was also the inspiration for Omori’s entry into the field. Since you want to describe the agricultural high school, you must sing “The Song of FFJ”. When you see the people in front of you will move your fists and use all your strength to sing, people will naturally be touched by them and respect them. Although most of the people who came from the family of dairy farmers are silent, everyone is very kind in nature and tells the story. This also makes Omori feel that people can understand the importance of communication in a severe environment
Ohsen loved to go to the cinema to watch a movie. When he saw the movie “Station” starring Takakura in junior high school, he got the script written by the scriptwriter Cang Ben Cong, and he stepped into the path of the scripter. When I first studied the script, Omori found that the number of words was unexpectedly small, and I thought, “So, I can write it too.” When trying to write, Omori found that he was completely unqualified. The script written by Kuramoto is like a beautiful poem, not easy to write
After going to high school, Omori began to contact the stage repertoire. In the 1980s, the “Dream of Sleeping Society” led by Hideki Noda and the “third stage” led by Hung Shang Shangshi set off a “small theater boom” in Japan. When he was 19 years old at the age of 19, he also established his own troupe “power generation” to act as a script and performance. In the first half of the 1990s, he participated in the performance of “The Troupe 3000” led by Watanabe Eri, as an actor
In 1999, Omori wrote the “Night Escape House” of the Japanese TV station, which enabled the scripter to debut. At the age of 33, he won the award to the Tianbangzi with the “Fighter Family” of Nippon TV and NHK BS2’s “Toto’s World – The Last Wild Child~”, which was also the youngest winner at the time. In 2003, he wrote the morning drama “The Sunny Family” and in 2007 he wrote the big river drama “Wind Forest Volcano”
The first opportunity for Omori to become a scripter was purely a desire to make a living by script. I didn’t expect this idea to open up my own scripter life. Upon receiving this job, Omori gradually felt the pressure of the “100th Morning Drama” title. “This is a mission that does not allow failure.” Omori thinks that he is always walking in the shade. People, just because of their good luck can continue the current job, I did not expect this burden to fall on his shoulders, this is something that I absolutely could not have expected
Omori sighs that in the past, he encountered setbacks on the stage, not because his own drama has set off a topic, but because he gave up his acting and entered the world of video, which is very different from Sangu Yuki and Miyao Kyujiro. Once again, I learned the creation of scripts from scratch, doing unremarkable behind-the-scenes work. Omori revealed that his stomach is not good, and it may be caused by more alcohol and drink. This time, when writing “Summer Sky”, the stomach medicine is almost never left
Finally, when asked if Omori still wants to write the 3rd morning drama, Omori categorically refused, at least not very likely now. If you want to write, you will definitely write a world completely different from “Summer Sky”, but now it has burned out. For the charm of the morning drama, Omori believes that it is possible to write multiple times. The role outside the heroine can also be written down for a long time, and the world view of the work is perfected over time in a work. And the broadcast time is also half a year, and the audience spent almost half of the time with these characters, which gave birth to another new world view
Whether it’s successful or not, it’s hard to have this mixed job. Being integrated with the staff, actors and audience at the scene is also the most important thing in writing the script for the morning drama
[References].
- Sponichi Annex: “なつぞら” script・大森寿美男100の重圧 に薬 薬 hand releaseせず剧にFrustration “日阴歩いて…すぎ”