John UM
Since the 1980s, he has been known for his mechanical design. He is still active in the first line of Japanese animation with supervision and mirroring. In the preparations for the release of the MOOK “Essence of the Secrets of the Secrets of the Secrets”, I also interviewed Ogaki Akira, and talked about the CG performances and characters that have attracted attention in the “Shinkansen Deformation Robot Xinkar Lyon” which started this year in Japan. Importance and outlook for the industry in the future. .
In addition to the CG performance, after the 4th words, Ogaki Akira frequently appeared on the list of producers as a “split mirror”. The 2D part of “Sinkaleon” is responsible for the old-fashioned animation studio Asiatic Church, which produced the series “Ninja Ranta” and “Quai Jorozol” series. The robot battle scene and the Shinkansen used in the animation are on the railway. The driving picture is 3DCG, and this 3D production is SMDE under the elementary school library. The CG of “High Score Girl” is also responsible for this studio. The Asiatic Church is mainly based on children-oriented animation. Although it is an old-fashioned studio, there are no people in the community who have mastered the robot battle performance. So they invited the big sway to help them. Ogaki Akira was originally responsible for the CG performance, which was the performance of the CG scene, the operation of the mirror, and inspections. However, under the strong request of Chi Tianlongbo supervision, the team joined the mirror, which is also the main part of the battle. Although Daxie also served as the battle segment of the 4th-6th, the official team joined the team. At the beginning of the 7th, in addition to painting, I also helped. It can be said that Da Yi Huang is equivalent to the action guidance of the whole drama, and even includes 2D action and drama. “Leverage the individuality of each robot and make their own characteristics.” This is the only requirement given by Chi Tian. .
As it is the TV series, it is impossible to make a new production in each episode, but in order to ensure the average high quality, in the negotiation stage, Daxie will first convey the important content of the relevant lens to the production staff, also to avoid Some unnecessary corrections then occur. The intersection of Otsuka and the Asiatic Church dates back to the “unfair draw” in 2006, and together with the friend Miyawaki Hiroshi, the props design of this work. Daxie said that it was not clear at the time that the system in the Asia Society was known. Through this cooperation, there was a certain understanding. It was true that only a number of old-fashioned studios for children’s animations were produced to ensure stability during such intense production. Ability to paint. After seeing this kind of performance, Daxie also had deep trust in the Asiatic Church. .
Speaking of the past animation production scene, the bitterness of the big cockroaches is also endless. There are so many problems, but no matter what happens, you have to paint, you have to finish painting late at night, and often stay near the studio in the middle of the night. The people wake up, and even when they are understaffed, they even spend money to hire people who have no experience in animation production to color the celluloid. When the film is finished, the film will be released again after the time is over. The problems are endless. Today’s animation scenes are gradually becoming digital, but Daxie believes that the vast majority of production sites have not changed much. .
Usually 30 minutes of animated shots before and after 300CUT, it takes 1 minute to explain the contents of 1CUT, and 5 hours in 1 episode. Moreover, the amount of information in the 1CUT is now large. In the description, it is necessary to streamline the information amount to the producers. It is not easy to think that this is the light. After the official start of production, the situation of production and negotiation is gradually increasing. It takes a whole day to be a routine, and sometimes it is necessary to reinterpret it if it is not too smart or bad. Too much time, so the actual finished products that everyone sees are not just so simple. The pictures are behind the results of a lot of discussion.
Regarding the battle scenes of each word, the first thing to realize is the overall directionality of this work. The instruction of Chi Tian’s supervision is to make the animations that adults and children can have fun. For this reason, I hope to capture the scenes of the robot. Live the hearts of the majority of the audience. Regarding the content of the battle scene, Otsuka also proposed his own martial arts and attack methods. “It’s like a super robot in the heyday!” For example, Ishikawa’s “Gaita Robot” is full of heroism, although it is full of violence. I feel anger and fear from the battle, but I must pay attention to the fact that I can’t break the worldview of Xinkarion. These battles are for the children to understand the “barbarism” of the human nature, but no matter how robots fight, nor can the Shinkansen be destroyed, it is necessary to express the damage through some postures and clever timing. When the audience sees their favorite characters in crisis, they will sweat for them. They are full of worries and worries. When they win, this tension is liberated. The battle performance is to let the audience Experience the thrill of getting in the process. .
The “Xinka Lyon” TV animation project had several PVs of DX toys before it started. Some of the TV variants and fits of BANK have been used in PV, and of course there are new ones. The link of the 8th words (LINK) is divided by the big picture. The big picture is very satisfied with the actual image, and it is said that such a picture really needs to be responsible for the high performance in 3D, in order to reflect the jump. Sense. Although the production teams of 2D and 3D are separate this time, I think that such animations should be closely combined with the two teams in the future, and they will join forces, not to mention the fact that both teams have very strong talents. Lose 3D, 3D does not lose painting. On the other hand, Daxie said that the transformation of BANK was particularly aware of the title animation of “Tiger Face Man” when it was made. The action is more focused on the use of the body than the pursuit of rhythm. The key is to look comfortable, from the visual I was deeply impressed by the audience, and I hope that this approach can become a set of styles for Japanese animation. .
Although it is a robot, it is close to humans in motion. Daxie said that Xinkarion is a heroic robot, especially when waving weapons. In the past, the boss of a toy company once said to Daxie, “In the eyes of children, a huge robot is like a father.” But Dad said that if a robot with a mouth painted can understand this sentence better, that is, From the child’s point of view, the father is as great as the robot in the play, so in their view, the robot and the person are not much different, so I hope that the driver and the robot can be united. .
Daxie thinks the role is extremely important, “because today’s middle-aged a house is very like, and this kind of love will not change until death.” When they were young, their young minds have been up, Otto The roles of Man and Kamen Rider have been taken away, and this mood will not change after many years. The business enterprises that aim at such people change with the generation of the characters, and the quality of the goods is gradually improved. Even if the house is older, they will still try their best to squeeze their pensions. The same phenomenon is also the classic role of Spider-Man and Batman in the United States. The products are endless, and can be eaten for decades by an image. Otsuka is also looking forward to the emergence of new characters in Japan that have been able to eat for 50 years. .
After all, I was born as a mechanical designer. I mentioned that I can eat 50 years of character. The big decapator is Yongjinghao’s “Devil Z”. Not only in Japan, there is a lot of fans in the world. The living example of “Devil Z” is enough to prove that robots can also cross human races, cross national borders, and subvert life. On the one hand, this character reflects the writer’s character of one person. On the other hand, the power of behind-the-scenes push is triggering the hidden charm of the character. “Altman”, “Space Battleship Yamato”, “Mobile Suit Gundam” also Similarly, with the changes of the times, in the planning of the new era, the role is closer to the original and the original works, in line with the present.
Daxie said that it can be said that the role of the role to determine the outcome of the victory, “only the role can make an animation enduring.” However, most of the late-night animations in the first quarter are not afraid to take the risk. Because the audience is far away from the producer, first of all, the producer itself brings it up, then the audience, the user’s attention to the animation, the role, if the audience can “play”, then the character will have its value. When it comes to the original character of TV animation, it usually takes a long time from contact to in-depth, but it is difficult to put a lot of energy into the character in this fast-paced era. To this end, the producer will place some “puzzies” directly on the design of the appearance, and “inform” some of the audience in advance so that the audience can use their imagination to speculate on the future development and the hidden secrets of the eggs. Let the audience as the leader to bring the heat of the work, often to the middle of the plate, the story will become more and more clear, the charm of the character can also be conveyed to the audience, when the audience spread the topic, there will be Bring up the interest of a new audience, which will lead to the effect of “I want to see it soon!” .
No matter what animation, there will always be a group of supported minority audiences, let the parts supported by this group spread out. If you can’t attract people who have never seen this work to see this animation, this circle will not Expand, the “life” of the role will not continue. The animation that Daxie thinks is interesting does not mean that “the painting is particularly good” or “the quality is super high”, but the “character is very attractive”. High quality is naturally the best. If the background and the composition of the picture are more prominent than the characters, I am afraid that most of the audience will be shut out. .
In recent years, the industry has gradually turned digital, and Daxie said that all the industry has been affected, and many creators have also changed their minds. The works based on the original work have become more and more, making it difficult for those who are “personalized = people who are difficult to manage at the scene” to “manage”, but Daxie thinks that this is not a bad thing, but a good opportunity. They originally had their own ambitions. If the conditions provided were just enough to meet their needs, it would be better to let them let go and play their talents, and they might be able to see the areas that were not promoted. Daxie believes that when the producers say “we want to create works that can be fired in the next three or five years, even in 20 years,” we should start. However, the reality is that the creators are busy every day, exhausted, and have no spare time. Even if they say “I want to do it!”, it is still difficult to get rid of their current route. Daxiao laughed and said that he has never been on the right track. “But the work of “Sinka Lyon” is done seriously!”
The topic is back to “Sinkaleon”, and I hope that the battle of Xinkarion can impress the children now. Just like baseball games and wrestling matches, there is always a game that makes people memorable. Daxie called the robot animation he participated in as a “performance”. How to make the audience see the blood and make a deep impression, this is the battle scene, not a “digestive game”. .
For “Xinkaleon”, Otsuka Akira said that although he did not participate in the design of this part, he could recognize the situation of his own animation of robot animation in the form of a mirror and a performance. Daxie also hopes that this animation is not only for the children, but also the fathers with the children can enjoy the animation with the children, return to the childlike heart, and recall the joy of the year. .
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- “The album of the album, the secret treasure of the animation” is sent to the preparation number