John UM
Because of the traffic accident, the pupils who lost their parents, Guan Zhizi = Xiaozhi, came to the grandmother’s hot spring hotel “Spring House” to practice the young boss, where she grew up and gradually became self-reliant. Animated film “Young boss is a primary school student! “Under the cute title, there is a story of sincere warm heart. After the release on September 21, 2018 in Japan, the audience received a hot comment. The audience came to tears. In the hard work of the box office, because of the huge response, many cinemas have appeared in the phenomenon of “resurrection”. Not only Japan, but also overseas, it has won unanimous praise
As the script, Yoshida Reiko is one of the scripters who represent Japanese animation. Since the debut of the “Dragon Ball Z” script in 1994, he has written “Little Witch DoReMi”, the theatrical version of “Digital Beast Adventure” series, and Ghibli Studio’s “Cat’s Reward”. After entering 2010, it has been launched. “Light girl! “Girls and Chariots”, “Daily King”, theatrical animated film “The Sound of the Movie”, “The Song of Dew of Declaring Dawn”, “Leeds and Jade Bird” and other works by the animated audience
Yoshida participated in this work and was invited by MADHOUSE. After reading the original work, Yoshida first felt that the characters in the works were vivid, and I deeply felt why it was loved by many readers as a long series. The original is a full 20-volume novel, because it is a finished work, so it is not easy to concentrate such a long story in 90 minutes. Reiko Yoshida said that although the script that was originally thought of did not last for 90 minutes, in fact, at the time of construction, because there was a storyline supervised by Takashi Hiroshi, the end point was already seen at the beginning. It is not so difficult in the actual writing process. However, there are too many characters in the play, and the charm of these characters should be played out in each short chapter, which is the biggest problem of Yoshida
The deleted part, such as Xiaozhi’s candle in the hot spring for the sake of painting the fragrance (see the TV version 10th) is also the story that Gaochun supervisor wants to draw, but it has been deleted in the split stage. In addition, the theme of this book is not limited to one. Yoshida will put all the elements in the original “How to face the reality of the death of parents”, “Environment makes people change”, “Forget me to work and change myself”. In
Before the script was written, Gao Song’s supervisor hoped to join Xiaozhi’s proposal to hate bugs at first, but Yoshida was slightly disgusted with the idea of bugs in the hotel. After all, this is a first-class hotel for guests. How can I make this small mistake. However, when I was having breakfast at the hotel of the prototype of “Spring House”, Yoshida found a big spider, and the dignified and elegant boss came forward, and the two hands spread out and took the spider out of the window. This move made her convinced, thinking “Isn’t this?” It seems that he was wrongly supervised before
When I adapted the original to an animation script, Yoshida first realized the charm of the work, and what the authors thought was important and how to describe it. The biggest difference between animated works and original novels is the flow of time, so pay attention to the urgency of this when constructing. The events, places, and feelings of the characters appearing in the story will also change differently depending on the person watching. In this respect, Yoshida will try to unify as much as possible without causing much difference.At the beginning of the
movie, the traffic accidents that were not written in the TV version and the original were directly photographed. The episode between the reminiscence lens and the Mudu family also made the audience cry. Yoshida said that the Supreme Superintendent hoped that the traffic accident was not a scene of recollection, but was directly seen by the audience, so it was placed at the beginning of the story. Finally, joining the chapter of the Mudu family has become less difficult, and there is a feeling of letting go. As a scene of Xiaozhi’s growth, when should the parents who passed away appear in Xiaozhi’s dream, which also aggravated Yoshida for a long time
Compared with the original, the grand version of the grandmother and the Yuezi in the theatrical version of the theater has become more gentle. This is naturally because the relationship between the accident scenes was directly added to the theatrical version. Yoshida said that after all, Xiaozhi is still a primary school student and has no ability to stand on his own. The elders are taking care of her. However, when she began to actively choose to help the hotel, her heart was already aware of the need to cross the hurdle to grow up. Yoshida also put the growth of Xiaozhi in the highest priority
Because the original work is for children’s children’s literature, Takahata’s supervision was initially rejected for this work. And Yoshida Reiko is different. In the past, she wrote “Children’s Crayon Kingdom”, “Little Witch DoReMi” and “Geek Zoroli”, which are children-oriented works. In a sense, it is the best helper of Gaochun supervision. Yoshida said that he will receive the job, probably because of this. However, Yoshida revealed that Takahashi’s supervision actually considered quite a lot of things about “the girl’s words would be very interesting.” “The girl’s words would care about these things,” and challenged “cute”, and everyone finally watched on the screen. The lovable characters of Xiaozhi, Zhenyue, and Glory Water Collar is the result of supervising troubles. In the eyes of Yoshida, Takahata Supervisor is a person who is sincere about his work, and he never cares about himself. He cares about other people’s opinions
Yoshida believes that the charm of this work is that although this is a work for children, the attitude of the work is often described in terms of light and shadow, holy and vulgar, positive and evil. It doesn’t make people see only one side, just like a little peek into the other end of the mirror, and the darkness at the other end of the door continues. Yoshida said that he liked this intense atmosphere when he was a child, and he was full of expectations for the unknown
In the play, Xiaozhi saw that the Mingyin meeting was red-faced, and there was a small relationship between the salesman who was unable to appear in the theatrical version (= Li Jianjian), except for the relationship between these small weaves and the opposite sex. In the theatrical version, there is also a relationship between the Glory water collar and the higher level of TV. Gao Wei’s supervisor also said that Glory’s water collar is one of the characters he really wants to perform. Yoshida said that in the outline of the story, Glory’s plays are much more than the original ones. Because she has the ability to do both the peak and the true moon, it can trigger the feelings hidden in the heart of Xiaozhi, so it can be said to be an “organ.”
In recent years, Yoshida’s works, such as “Girls and Chariots Theatrical Edition”, “Daily King’s Holiday Activities”, “Leeds and Jade Birds” also wrote about the friendship between women, which Yoshida said is actually Without deliberately realizing whether it is the opposite sex or the same sex, it is purely that the help given by the same sex in reality is more realistic, and nothing more
Yoshida is often writing, and often repeats it several times after the end of the game. Going back to the beginning, making changes, including the allocation of time, must rethink the design. For his own works, there are often similar liberation descriptions such as getting rid of troubles, escaping from the place where the heart is occluded, and Yoshida said that he likes to write people himself. The description of such liberation is actually when people take the courage to step out new ones. When you open a new world door in one step, you will see a different kind of scenery. Just as you will be saved by a story, Yoshida also wants to write a story that will make the audience redeemed. “There is a lot of unpleasant things in life, but why not?”
For “Young bosses are primary school students! “The influence of this work on himself, Yoshida said that he also watched this work with the audience at the Annecy International Animation Film Festival. From the expressions of overseas audiences, it can be seen that even if the culture and history are different, the mood is Consistent, everyone can understand the feelings and actions of the characters in the play
Gao Hao’s supervisor once said that one of the themes that he should express in this work is how to suppress feelings. Yoshida’s answer is “liberation”. In this regard, Yoshida said that suppressing his feelings is only occasional. In the process of growing up, people will hope that the surrounding people have the same joys and sorrows, but they must understand that the other side also has its own position. The world does not revolve around itself, it has to live, other people, and even creatures other than humans have their own ideas. Xiaozhi also thought about what she should do… She did not force herself to hold her inner feelings, but chose to “clearly crying, but still to smile”, even if this is not a good thing. As the official website has written, to accept the reality, to do something for the happiness of others, every day of positive and positive will make yourself and others happy. However, Yoshida said that no one is perfect, only to be confused and troubled. For Yoshida, the biggest challenge of this time is Xiaozhi’s understanding of himself. Others can’t let her “help her”, from worry to decision, or she has to decide
[References].
- ねとらぼエンタ:おっこが自分で 気付き, growthしていくprocessが大事”IfおかみはPrimary school! Script・吉田玲子インタビュー