John UM
A 6.6-magnitude earthquake occurred in Hokkaido, Japan, in the early hours of the morning. In the midst of chaos and panic, some creators in Hokkaido were surprised to find that their hobbies would bring unexpected help at this time. .
The cartoonist 恵三郎 touches the black to ensure the light source, and sleeps comfortably. .
(.https://twitter.com/36_Megu/status/1037419436234297344).
Illustrator 看了 《 《 《 《 《 《 《 《 《 《 《 《 《 《 《 《 《 《 《 《 《 《 With the camping stove bought at the time, he could burn hot water and noise. .
(.https://twitter.com/hanekoto2424/status/1037538468459569153).
Designers incarnate the beautiful girl virtual anchor and introduce their work to the audience on YouTube. Yesterday, he and the two heads of the company that commissioned his work for the first time met for the first time. After the negotiation, a person in charge suddenly said to him: “Oh, I watched your live broadcast. It worked hard.” I couldn’t help but screamed. .
Another person in charge of the same company did not know what the two were saying. The former one explained to him: “Well, this person becomes a cute girl to broadcast live on the Internet…” He was on the scene and only felt from Hell fell into a deeper hell. .
(.https://twitter.com/hiiragiryo/status/1037330659012837377).
Illustrator and animator sushi said that if you don’t draw a picture of color, the texture under the pen will be dry. The dryness mentioned here does not mean that the picture loses the direct scent, but the existence of the character itself loses its activity. What is lost when you don’t often draw a color map is similar to what you lose as the painting progresses. It is a very important component. .
But the trouble is that the person who has been drawing the color of the picture, the texture of the painting will be dry. If you only paint what you like, it is easy to immerse yourself, causing performance to become routine. This kind of measurement is really difficult to control. .
(.https://twitter.com/t_kotobuki/status/1037251126289027072).
The cartoonist Okazaki is in favor of this view of sushi. He said that if it is a cartoonist, it is necessary for the market to reflect on the most outstanding scene in the original work that he was deeply touched, just like returning to the source when he lost his way. .
And if it is a person who specializes in painting, if you don’t think of the momentary drama conflicts and scenes when painting, the picture will be dry. .
(.https://twitter.com/majam_fire_blue/status/1037351643707129856).
Suzuki, the editor of Young Magazine, a young comic magazine, said that if you want to be a cartoonist, you must read a lot of comics. According to his experience, people who like a lot of comics (= those who can find the highlights) are more likely to become professional cartoonists than those who hate a lot of comics (= those who can find defects). .
(.https://twitter.com/ym_suzuki/status/1036463706714955776).
Comic editor Kanno Taro added that people who want to be cartoonists want to read a lot of comics, which is not so much a necessity, but rather a “premise.” Watching movies, dramas, and the like are all things that go after practicing the comics.
Mr. Tezuka Osamu once said that you should not learn comics from comics or watch movies. Many young people misunderstood these words and did not read comics. But in fact, although Mr. Handcuff did say “Don’t learn comics from comics” “to learn from top-notch movies, music, drama, books,” he said that the object of this speech is the Changpanzhuang, such as Akasaka Fujito. The people inside. These people have already read enough comics, so Mr. Handcuffs wants them to move on to the next stage. .
(.https://twitter.com/gouranga_/status/1037381034889773056)