John UM
(full text map intrusion).
Like a friend of the second yuan, you will not be unfamiliar with the name of the P station. The P station is a famous peer-to-peer illustrator shared and operated by Japan, and the main content of the second element. Before 2017, the country was able to browse the contents of the P station, but then it was outside the network by the domestic “gate” and could not be viewed directly
And for the circle of the second element, it is accustomed to find the illustrator, collection, and communication channel of the favorite artist on the P station, which is difficult to accept because of the sudden closed door, because the P station can be said to be a second-person work. One of the most extensive and wide-ranging places, after all, there is no such thing as a two-person exclusive sharing and exchange site in the country. Therefore, both the artist and the enthusiasts regard the P station as the communication end of the second-person person
However, opening the comments below almost any popular painting, you can see that this website from Japan is actually a Chinese comment, but Japanese commentary is quite small. Not only that, some popular rankings can be ranked on the top, painting masters who are very skilled in painting, you can find that there are also many Chinese national painters. If you are on the P station now, you can feel that there is no sense of violation in Chinese and the artist or Visitors can communicate and can feel that the P station has been “conquered by the Chinese.”
However, the author has mainly come to some more interesting phenomena behind this
1. The Chinese users of the P station only account for 20%, and the main force is Japanese.
According to the official information released by the P station, although it is a local operation, the Japanese users of the P station account for 50%, and the Chinese (Mainland) account for 20%. Other places are mainly the United States, South Korea and Taiwan. That is to say, although the surface seems to have “occupied” the P station, in fact, it is in the proportion of 20%. This ratio is not much, but it is not much, but it does not make people feel that they can occupy the P station..
2, the comments on the restricted content are all nationals.
P stations have restricted content, which may be a major reason for shielding P stations in China. You will find that those who have the same comments under the restriction-level illustrations are mostly returning an “AWSL”. The sighs like “,” are at most a gentleman’s comments, but there is no doubt that there are more comments from the Chinese
Seeing here you will want to ask, why is it clear that there are more Japanese users, but the most commented is the Chinese? Why do painters and spectators have to do everything possible to get to P station? With this question, look at a message from Japan:
In 2017, the rules of Weibo changed, and the copyright of the submitted portraits will belong to Weibo and cannot be reproduced elsewhere. This makes Chinese artists no longer choose to publish their own drawings on Weibo. Implemented on September 15th, September 16, Japan’s Pawoo (a social platform operated by P station) surged 2,700 accounts, causing the Pawoo server to react poorly. It is assumed that many Chinese painters moved to P station, and then the country blocked it. P station
If the message is true, I don’t know, but in combination with the above mentioned situation, you will find that one of the reasons for the domestic blockade of the P station, the restricted level works must be one of them, but the real blockade is The exchange channels between the painters and the second-element enthusiasts. Why is a 50% user who is a Japanese person standing in the picture, and almost every comment under the popular paintings is Chinese? Chinese painters and enthusiasts, in the comments of the P station, vent their feelings
Due to the special nature of the second element in China, many times it is associated with some sensitive symbols, and the concept of anime is a “child’s patent” is deeply rooted, and some negative news often makes anime works, two yuan back Pot, there is no one-size environment in the country, which not only makes the fans worry, but also makes the creators very distressed. The above Weibo users are moving to the P station, which is just a gossip, but there is no environment for the creation of the second yuan in China. Is the truth
Let’s not say an illustration, let’s say an example of animation
Remember the 65 words of the Japanese anime “Boruto Uzumaki Biography”, and the story of the artist Huang Chengxi who was blown up by the Chinese people? He is indeed a Chinese painter, but don’t forget that “Boruto Uzumaki Biography” is a Japanese animation. He also did the Japanese animation painting supervision. Under the environment and mechanism of Japanese animation, he painted his own “Naruto Ninja”. Far from talking about the mechanism, I said that there is a work that allows him to be a “Naruto Dream” or a Japanese cartoon
The Chinese are not without talent, but because they lack mechanisms and lack the environment to play
Back to the P station, you must have thought about it. A Japanese-operated site was screened by only 20% of Chinese users. Isn’t the Japanese P-station experience very bad? You guessed wrong.
At that time, when Japan received information that the P station was blocked by the country, the Japanese otaku was not stealing the music. “The Chinese finally went back,” but silently “There is a lot of Chinese painters I like.”
Because of the high level of Chinese illustrators, they are also highly recognized in the Japanese doujin circle, so Japan is not so opposed to being screened by China
The author was fortunate to find a question and answer, that is, a Japanese person is disgusted with the P station Chinese people are not too many problems, and set the Japense only answer authority, but the result is their own face on the spot:
This Japanese friend gave the answer: Art has no national boundaries, and the fun of painting is not ethnic