John UM
In 1988, the classic animation “My Neighbor Totoro” of Ghibli Studios, fortunately in 2018, has been officially authorized and translated, and the method of film remanufacturing to achieve high definition is released in the country. The young Chinese of the generation also had the opportunity to see the classics of Miyazaki’s masters, although according to the author, “My Neighbor Totoro” was released in the country, in the 1990s
The author is of course the first time to buy a movie ticket, to add a ticket. Because although the “My Neighbor Totoro” was released in the 1990s, the author was only a hairy child in the early 90s, and had no chance to contact this work. But even so, the author is still familiar with the songs of “My Neighbor Totoro”. Hey, at the time, the author, like everyone in the room, looked at the copyright-free animation resources circulating on the Internet
There is a saying that Miyazaki has been to China since the late 1980s because he has a strong interest in Chinese ink animation, but after coming to China, he found that Chinese animators only pay attention to the benefits of making animations. The problem, but not the artistic nature of the work, makes Miyazaki, who is very concerned about the value of animation art, disappointing. Moreover, he has not authorized China to translate his own works, nor has he authorized China to release his works, but his works are very Famous, whether it is for Chinese animators or awareness of copyright protection in China, Miyazaki was disappointed in China
The author did not verify this statement, but regardless of the facts, China is indeed extremely weak in terms of copyright awareness, even if it is 30 years later, there is still not much change
Despite the leadership of the B station, after 2010, many domestic video sites began to compete to purchase the rights to broadcast Japanese animation, let online Japanese animation on the “genuine track”, but the so-called “web disk see The animation resources are still available everywhere, and everyone is accustomed to seeing the resources of “seeing the network”
There are many helpless fans in this category. In the 1990s, Sino-Japanese relations warmed up, Sino-Japanese cultural exchanges improved, and many domestic TV stations introduced Japanese animation broadcasts. This is one of the reasons why the current generation of 80s and 90s like Japanese animation. The Japanese animation broadcast on the TV station was naturally copyrighted and translated. At that time, we can still say that we are looking at “authentic animation.” However, since 2006, the new regulations of broadcasting and television have stipulated that “prohibition of broadcasting overseas animation during prime time”, together with some measures to protect domestic animation, has caused Japanese animation to no longer be broadcast on most domestic TV stations. I haven’t lifted it now. I am turning on the TV now, and I still can’t see Japanese animation during prime time.After
, those who used to watch “Slam Dunk” and “Doraemon” grew up in the 80s and 90s, in order to see the updated Japanese animation, they had to adopt new means – that is, pirated animation resources..
In the 1990s, pirated VCDs were sold, and pirated DVDs were everywhere. The domestic copyright management of audio-visual products and audio-visual works has always been an “unable to bring”. Many pirated audio and video products have entered the market, making the public feel that “seeing pirated movies” seems to be a common sense. This is terrible
After the 21st century, with the gradual popularization of Internet broadband in China, the rapid increase in the speed of the Internet has opened up a new world for many netizens. Anime fans who can no longer see new animations on TV stations choose to enjoy the free resource meal of the Internet. The digitization of video and audio resources has accelerated the elimination of DVD players and video recorders. This is not a worldwide phenomenon! It only exists in countries that are extremely weak in copyright awareness
I used to have a popular science. In Japan, there are only a few ways to see animation. The animated movies in the cinema only go to the cinema, or wait for the official release of the disc, and buy the disc to see it; the TV broadcasts. TV animation, either record it yourself with a video recorder for repeated viewing, or buy the disc for sale for repeated viewing. If the official does not broadcast online, then the copyrighted online distribution is illegal, and the pirated animation is uploaded. Resources will be arrested by the police;
But in the domestic environment, pirated animation resources can be seen everywhere, everywhere can be found, there are also people to share these pirated resources, many people think that a cartoon out, it is natural to look at the Internet, such a In the environment, indeed, the VCR is the first to be eliminated because there is no need to exist;
However, if you don’t believe it, the Japanese video recorders are still not eliminated. They are still used by many families as important video tools, and new models and new features of video recorders are also sold in home appliance stores because they attach great importance to the copyright protection of the programs. You can Record it yourself and repeat it, but you can’t just upload it to the Internet for sharing, and you can’t see the copyright-free works shared by others
The domestic copyright protection of inflowing audiovisual works is indeed very weak. Although many platforms now purchase genuine copyrights of music and video, there are still many platforms that specialize in providing pirated resources. Domestically, in the copyright protection of works, it has just begun to take a head
Recalling the rumors that Miyazaki was extremely disappointed with China, it seems that there is no reason for him
There is indeed a lot of helplessness in this. For example, if you like Japanese cultural works so clearly, but you don’t introduce them in the country and don’t look at online pirated resources, you can’t get new works. This is really a problem, and there is The ideological differences have led to a lot of abridgement and editing of many works even if they are introduced. Even if they are introduced, they are not original works. How to resolve these contradictions is really very interesting