John UM
On the C94 that ended not long ago, Meiyuan Xiangtai’s fellow association SUPERYOUNG released the “SUPERYOUNG 01 Yarn Fog Original Painting Collection”. The book published Xiaolin Huiyou, who was the original artist of the Sag, in the “Eroman A Teacher”. The original paintings in the “Eroganga Teacher” are responsible for the original paintings of Xiaolin under each card original painting. This article will be combined with Kobayashi’s comments, pick some interesting shots to introduce. .
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“Yarn fog original painting” refers to the original painting that Xiaolin Huiyou, the original painting of the gauze, is responsible for in “Erogan A teacher”. Because the title of Kobayashi is called Yarn アニメーター, the lens of the painting is also called the yarn fog lens, but This does not mean that all lenses are yarn fog. .
小林惠佑 “Erogan A teacher” painting role.
#1_C102(“#” is the number of episodes, after “C” is the lens number).
The yarn fog is drawn on the tablet by hand. On the mirror, only the “gray fog that is drawn with the artboard is very interesting. The hand slides greatly”, although there is no detailed designation of the action. Kobayashi’s freedom, but also increased Xiaolin’s responsibility. Kobayashi thinks that professional illustrators like Yarn Fog should be very skilled at the time of painting, so they should show the proficiency of the gauze on the original painting. .
#1_C103 .
The socks in these shot are not pre-set. Supervising Takeshita Takeshi only tells Kobayashi that it is very fluffy, striped socks. Because the setting given by Takeshita is very fascinating, it makes Xiaolin very nervous. Kobayashi thinks that this card shows that the original painting time of the ass shaking the sense of gravity is very good. .
#1_C105 .
For the reference of the painting, I took the fog of my ass, and Kobayashi said that the original paintings often do the same. .
#1_C123/128 .
Because time is more urgent, some Zhang only painted the grassland. It turned out that this card is only 8 seconds. Under the supervision of Takeshita, in order to fully express the comments of the barrage, it added another 5 seconds. These shot is to draw the feeling of shooting the lens, Kobayashi also got the evaluation of the poor nico students from other people. .
#1_C126 .
When the yarn is undressing, it is singing, so Kobayashi makes the yarn mist shake slightly. .
#1_C127 .
The wardrobe in these shot is not only the hoodie worn by the yarn after the fog, but also the COS clothing of the island wind. .
#1_C282 .
Yarn fog lying on the bed rolling lens, because the yarn fog movement is complicated, and the shadow is difficult to draw after moving, very difficult card. The forehead is exposed, it is the request of bamboo. .
#2_C063B .
The gauze got up and shot, because it was from lying to sitting up. At the beginning, Kobayashi planned to draw a gauze to get up and kick the foot, but considering that it needed a fast pace, it didn’t draw. This card Xiaolin looked for the second person of the acquaintance, Xiaolin thought that the painting was much more careful than himself. .
#2_C082 .
Although the hand presses the skirt is just an unconscious movement that people often do when they sit down, but Kobayashi wants to show the character’s character in this unconscious movement. From the result, whether it is the character of Hui or the quality of the original painting is very good. Kobayashi also mentioned that the skirt is so short that it can’t be wrapped in the buttocks. The mirror also says that the sofa is going to sink, but Kobayashi did not draw it. .
#2_C083 .
惠 Elegantly taking a sofa, Kobayashi believes that the feeling of elegance needs to be reflected by the time allocation of the original painting. This card Kobayashi’s colleague Ohno Renai also thought that Hui’s movements were elegant, and all Xiaolin felt that he should paint well. .
#2_C190 .
The mirror is more like a milk bag, and Kobayashi himself proposes to draw something natural. Kobayashi painted a lot of shots of welfare in this film. He didn’t want the audience to feel that the film was vulgar, so be careful not to let the audience feel vulgar when dealing with the lens. .
#2_C274 .
The gauze pajamas are designated by Takeshita, and the totals of the squadrons and the small forests are not considered to be the best. Although I am not satisfied with the taste of bamboo, the original paintings must be carefully drawn. .
#2_C275
The gauze grabbed the clothes on the chest by hand, and the shadow of this lens was repaired during the performance check. Kobayashi feels that if the performance can be requested at the time of the LO check, he will be able to solve the problem well according to the requirements, and it will not be as messy as it is now. .
#3_C058 .
Takeshita really likes the flesh of this card fairy ass. .
#4_C045 .
This lens was originally intended to let the audience see the chest and navel of the gauze, but this angle is not visible to the navel, Kobayashi is really too greedy. In order to draw the chest from the gap of the clothes, Kobayashi painted very hard, and the underwear was deliberately hidden. .
#5_C024 .
Because it is necessary to hide all kinds of sensitive parts, it is very hard. The performance of this episode, Da Qing Qinglong, is not high on this card, but it is only required to Xiaolin to paint the feeling of undressing. .
#5_C025 .
The original painting was a butt that was painted with a gauze, but Kobayashi did not draw underwear because it was not in the picture. On the Twitter, Kobayashi saw the 2K3K origami painting of Tsuchiya’s Zhiyi painting in the “Chengdu’s Cardo” painting. He felt that it was very similar to his own card. This made Kobayashi think of Tanaka’s mention in the magazine serial. The 30K 3K is the ideal form of animation. .
#6_C039_C .
Because Kobayashi feels that his paintings are more attractive than those on the mirror, so Ishida Hiroyuki took the posture. However, this card is still considered to be fetish and erotic. Although Kobayashi does not want to let people feel bad, it is already here, and in the next card, Kobayashi also gave up the struggle. .
#6_C039D .
In order to enhance the expressiveness of the picture, this card Xiaolin draws a wider angle than the split mirror. This card also needs to hide the underwear, it is still very hard. .
#8_C225 .
There was no 7 or 8 episodes in Kobayashi’s schedule, but since the eighth episode was the performance of Jolinson, Takeshita acquiesced Kobayashi to participate. If Lin Xin’s mirror can always evoke the desire of Kobayashi’s original paintings, these shot is a very fine shot of Ruolin’s, and Kobayashi’s self-consciousness is not ideal. The lens of the authentic drink afterwards was also painted by Kobayashi, but due to space reasons, the original paintings were not published. .
#9_C257 .
This card Kobayashi changed the original split mirror, so it became what we see now, showing the courage of the fairy by the action of grabbing the skirt. .
#12_C257_LO .
This card is the second original of Kobayashi Maiko, and Kobayashi also praised the eighth episode of Kobayashi’s work. Here, one more sentence, the card used to make the Layout in the video is Xiaolin only painted the Layout lens, but combined with Kobayashi’s tone and the original paintings published in the book, Kobayashi said LO should refer to the grassland. .
#12_C262_LO .
Initially Kobayashi did not intend to draw the last paragraph, but since they were all called the original artist of the gauze, they were forced to paint this paragraph. The card was originally intended to hide the gauze behind the curtains before the gauze was exposed to the face, and later changed to what we have seen now, the state of the yarn fog in front of the curtain. .
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Reference: SUPERYOUNG 01 Yarn Fog Original Collection