John UM
On October 14th, a webpage production company LIG posted an article on the official website saying that an assistant editor of the agency was reprimanded by the predecessors, “How can you not read “Dragon Ball” when you do this?” In order to counter the “Dragon Ball harassment” of his predecessors, he read the whole volume “Dragon Ball” in anger, and wrote an article criticizing it for lack of clear goals. The depth of the world view is weak, it is difficult to substitute, and there are too many standings. Dragon Ball’s work on the shoulders to improve its strengths, and now look at this work, he has not felt any surprise and moved. .
(.https://liginc.co.jp/429028).
Originally, this kind of thing is not worth mentioning. In the words of the cartoonist Imai Tetsuya, the predecessors who said that “the industry has not read ○○ can’t do it”, the younger generation who maliciously devalued the classic works in order to retaliate against the former, and the media that sent this broken article as an article … All the characters who appeared in this event are too vulgar and boring. It is simply sad. .
(.https://twitter.com/imaitetsuya/status/1052134670878396416).
However, the online discussion that was triggered in the three days after the release of this article is quite interesting. .
There is a lot of hardcore “Dragon Ball” fans, seeing such disrespectful words, violently thundering, screaming. .
As the cartoonist Hirano Geng is too reprimanded: the average reader read “Dragon Ball” and found it interesting and not interesting. It was his freedom. But those who call themselves “editors”, if they look at such monster works, can’t absorb why it will be welcomed by the whole world, that is, incompetence; if it is not absorbed, it is low energy. So for such people, it is better not to approach. .
(.https://twitter.com/hiranokohta/status/1052033695379419136).
But in fact, the original text clearly mentions that the author of “Dragon Ball” is well-known and well-organized. The story is also groundbreaking at the time of serialization; only the author has read too many works that have been deeply influenced by Dragon Ball. So now when I look at this work, I will only think of it as a “common painting” and “a story I have seen.” .
So, in the end, who is the incompetent “incompetence”, I think it is necessary to draw a question mark. .
And more people, pointing the finger at the predecessor who forced Amway in the text. .
The cartoonist 221 thinks that when recommending comics to others, it is best to avoid using “I don’t know ● ● is equal to half of your life lost!” “How can I not know ● ●” statement. If you recommend it to others in this way, then it is possible that the other party will have a negative impression of preconceived when they are watching, and they only feel that “there is no such thing as he blows so well.” .
(.https://twitter.com/221EX/status/1052034058778099712).
The cartoonist Ou Haozhen also said that everyone is different, even if you don’t know where the national-level popular works are, there is nothing shameful. It is the same for professionals. Those who advocate that everyone does not feel good and have problems are even more terrible. .
(.https://twitter.com/hiroya_oku/status/1052080327332483073).
The cartoonist Bojin Binzi said: She never read “Dragon Ball” herself, so I am glad that I have not met any editor who will say to her: “If you don’t read “Dragon Ball”, I will not go to your comics. .”
(.https://twitter.com/AkikoHatsu/status/1052111715351977984).
After all, it’s really good to recommend a work to someone.
The cartoonist, Bell Chengqin, said that those who asked him “Is there any good-looking comics?” always made him worry. He couldn’t have known that he had read a comic that looked good. People would think so if they read it. Moreover, the people who draw cartoons must all want to make the comics look good. And people who read comics will not feel good-looking, uncomfortable, and can only rely on the miracle of encounter. .
(.https://twitter.com/suzusiroseri/status/1052063950580281344).
Someone else, took the opportunity to explain where Toriyama is really powerful. .
The cartoonist Murata Yusuke said that Mr. Toriyama’s paintings have many innovations, and he believes that the first and foremost thing is to subvert the meaning of “exaggeration” on comics. .
Before the appearance of Mr. Toriyama, the comics talked about exaggeration, mostly referring to the omission of details and simple lines. However, Mr. Toriyama has exaggerated the characters’ teeth, belt buckles, clothing stitches and shoelaces, and painted them short and cute. This exaggerated object is not just a character, but a saga in the picture. Murata speculated that people at that time might be surprised by this. .
Mr. Bird Mountain’s paintings are realistic but simple, yet detailed. He is able to take care of these seemingly opposite elements at the same time, and there is no contradiction at all. This is where his genius lies. .
(.https://twitter.com/NEBU_KURO).
And Mr. Toriyama’s cartoonist Yamamoto Takashi said that before Mr. Toriyama’s debut, the comic world had a deep-rooted superstition, saying that “with the sketching skills, the structural scale is correct, the picture will change. It’s boring.” The birth of Mr. Bird Mountain turned out this superstition and shattered the individual. .
Yamamoto immediately turned around and said: In fact, there are not a few editors who really understand what is sketching. .
He gave an example: his teacher, Chunmu Banyan, although the style is simple and casual, is actually a graduate of the art university. If he wants to paint, he can draw an impeccable realistic style. However, Chunmu, who went to the editorial department with his own work, said to him that “you better learn to learn more sketches”, and also took the paintings that are not good enough, but only the fine paintings. He saw that Chunmu was speechless. .
(.https://twitter.com/atsuji_yamamoto/status/1052114075797209088).
But even so, Yamamoto doesn’t think that young people who are interested in creating don’t read classic works like Mr. Handcuff. .
When he was 19 years old, the editor of a magazine once said to him: “You better read Maupassant’s short stories.” He certainly thinks that Maupassant is great, but he really can’t afford to be interested, so also Did not force to read. .
Regardless of the past masterpieces, or the latest masterpieces, as long as you are not interested, Yamamoto will not touch. So no matter how famous the work is, he often only knows one name. Even if the reason is only “hate this style of painting” “can not stand this eye”, it is enough to let him not read. Some people say that “A person who does not read ○○ can also be a professional cartoonist?” Yamamoto replied: At least 40 years or so. And he will continue to do so in the future. .
Yamamoto said that the reason why he wants to be a cartoonist is because he wants to do only what he likes. Therefore, he does not want to do things he does not want to do. .
(.https://twitter.com/atsuji_yamamoto/status/1052051578155220992)