John UM
Recently, JUMP+ and Omocoro two cartoon websites broke out in a series of incidents in which cartoonists publicly attacked the editorial department. Although Omocoro’s conflict ended up with the cartoonist’s confession, some cartoonists still stood on the side of the same team and thought it was wrong in the editorial department. As for the JUMP+ incident, the editorial side has not responded so far. .
The cartoonist Tanaka Kyuichi said that he had heard from a publisher that recently there were too many tweets that the cartoonists criticized on the Internet, so that the young people who wanted to become editors were reduced. He believes that this is also a problem that has to be solved for the comics’ industry. .
(.https://twitter.com/keiichisennsei/status/1032292873146851328).
The cartoonist said that when there was no photocopier in the past, the lines of the comics were written by the editor to the cartoonist’s studio. If the schedule is tight, the cartoonist and the editor will call and directly write the words for editing. .
ますむら’s wife, Nakamura, was also a girl cartoonist at the time, and she called her husband to compose a long list of words like “I actually like you.” It’s amazing to be listening to my husband’s side. .
And you have to make changes to your lines by phone. For example, he quoted a Japanese lyrics of the lyrics “Long and winding road”, and he was stunned by the slogan: “Dragon’s Lou?” “No, I am talking about ‘Long and’…” I talked with the duck for a long time, and finally laughed together. .
(.https://twitter.com/masumurahiroshi/status/1032114182903099398).
In the TV series “War Rice”, the artist’s honey plays an “evil ghost editor.” The editor yelled at the protagonist’s cartoonist, “There is no way to make people feel excited!”, and the amendments given are all abstract; the protagonist is going to interview the war experience, the editor is neither contributing nor accompanying, completely handing over to the comics. Home to do. .
The mystery novelist Sakamachi Ayumi saw it and sneered at it: this is an incompetent and arrogant editor, but it is not worthy of “evil editing.” .
Saki-cho said that in the film and television drama, “the evil spirit editor” is to yell at the cartoonists and writers and do something near the power of harassment. But in reality, the real “evil ghost editor” refers to those who will send a large amount of reference materials to the writer, make an appointment for the writer to accompany him, and completely ban the lazy writers who use the “investigation too troublesome” to push away. Step by step, press the editor of “I have done this, you can write it.” .
(.https://twitter.com/ash0966).
Duanzi’s pre-production has been rarely carried out in the past year, so that the rumors that he has died or left the animation industry have been circulated on the Internet. The day before yesterday, he returned to the rivers and lakes and shared two anecdotes that happened at the animation production site. .
Is the animal of the guest work “should be set as a guest character to the character set” or “delivered to the item setting”? There was a dispute at the scene. Just when “because it is a creature, it should be a person to draw a painting” and “not a character is a prop”, there is a philosophical phrase: “Is human being a rational animal?” The dispute is getting more and more chaotic. . .
Because there is no time, so the color of the vanilla popsicle that the character is eating is not set, and it is given to the outsourced animation. After the completion, I rushed to take the photography and make a formal photo. It was only at the time of the final inspection that the popsicle and the heroine’s eyes were of the same color, and when the heroine’s eyes were transmitted through the light, they chose all the treatments, so the popsicle also launched the light like the eyes, so it appeared on the screen. “I don’t know what the heroine of the ghost thing that will shine when I eat.” .
(.https://twitter.com/bompies)
Animator Hirakawa said that now, if the animation production company does not have the main original paintings, painting supervision, and overall supervision of the binding agreement (priority cooperation), there is no way to maintain high quality. The long period that animators are struggling to improve their status and unit price has passed. As long as they have the strength, they can make money by restraining fees. Of course, different people and companies are different. .
For the production company that is sensitive to the era of “there is no quality for its own animators,” it has already restricted many powerful people, or simply let them become regular employees, so they have increased the cost of restraint and fixed companies. Expenditure is also not easy. .
And those companies that do not constrain the budget of the animator, as always, entrust the free animator. However, the superb animators who contacted before have basically signed the restraint of other companies and will not pick up their jobs, so it is difficult for these companies to maintain quality. .
Although animators can live a stable life, it is a good thing, but the most important animator who needs support is not willing to enjoy the benefits of restraint. There are still too many problems to solve. .
Pingchuan always believes that digital painting should be provided by the company with the necessary equipment and genuine software, so for this, you must constrain the animator or member. If the current system can continue, then his imagination can become a reality in theory, which makes him feel forward to it. .
Hirakawa reiterated that the animation industry is not a monolithic piece. Although people outside may not be able to see it, different people, different companies, and different production systems will have great differences. .
(.https://twitter.com/bokuen/status/1031819349038755845)