John UM
As a color design, after reading the original work, Tada found that the work can be recycled in a very beautiful way after laying out so many foreshadowings. Only the story left a very deep impression on her. In the travel of various planets, she was able to feel the charm of making various planets, but in contrast, the design of cosmic creatures and other colors made her feel that it might be relatively difficult
In order to be able to slightly reflect the youthful comics of relaxation, this time the theme of the character is mainly bright and spiritual, and the contrast is enhanced in color. Tada mentioned that after discussing with Ando, including the change of color of each planet and the mechanical CG production such as Astra, I participated in it myself, and when I was making various colors, the supervision not only gave A lot of opinions, but also as a consultant. Tada felt that this time, she had learned a lot from the supervision and benefited a lot
In addition to Ando’s supervision, Tada also revealed that Kurosawa, who is responsible for the character design, will go to the reference study when designing the character clothes, and will also exchange opinions on the role of the role impression. When the photography supervisor Sakai Sakako is making color changes for the scene, Tada will also communicate with her, for example, how to implement the color into the scene, or how to deal with the color
Although there are various color problems that need to be considered in space, spacecraft, and planets, it is quite troublesome to deal with, but it is possible to color the characters on the basis of the original color of each planet, which makes Tada I am very happy. In particular, the planet Vilavas is a green-based planet, so it is colored in relatively strange tones on this planet. Later, with the emergence of wormholes, it is possible to use more strange high contrast colors, making Tada more happy..
Conversely, when making the color of the fourth planet Icric, the shadow of the background is due to the use of the unique color of blue, then add in the shadow of the characters using bright colors. Blue is very difficult, and it has gone through a bit of hard work
Tada mentioned that he was very happy when he was doing Alice’s color. In addition, when making the color of the B5 class, the color of the spacesuit can be mixed into various colors. Happy. However, the overall feeling of giving Uruk is relatively dark. What kind of color should be used for his spacesuit and how to adjust the color of each part, which made Tada lost for a while
When referring to the unique colors used in this work, Tada said that it is basically adding some other colors when making shadow colors and achromatic colors. For example, Kately’s space suit added a little purple and pink to the black part. In addition, the color of the scene, as well as the color of the Astra, Ark-6 and other mechanical, or the color of the cosmic creatures also have interesting performance, please pay attention
Finally, Tada said that this time, he was able to participate in the production of “Astra of the Other”. In addition to the character color, he also participated in the production of CG, props and creatures, and learned a lot of new ones. Know how. At present, the animation has also arrived at the last planet, Galem. In order to present a better picture to everyone, I have also worked very hard to make it. Please continue to pay attention to the end
[References].
- “Partyのアストラ” Color Design・多田早希インタビュー”Young Boys Comicsが少しでも出せるようメリハリつけるようConsciousnessした”