John UM
Since the TV series animation was broadcast in 2016, Kabone City’s Cabernet has launched a completely new mid-game animated film “The Battle of Kabanelli Haimen in the Iron City”, which is currently in the distribution. Taking this opportunity, WebNewtype interviewed Yu Zhongyou and Qianmou Caihua, who starred in this act as the hero and the hero, and told us about the highlights of this work and the anecdotes at the time of inclusion
After the TV animation, the namelessness in this “Haimen Battle” is still very cute, and Qianmou thinks that the nameless cuteness is because of the combination of various elements such as good painting and beautiful clothes. At the same time, it is both a proud and childish, and these places are also all manifested in the paintings, so it seems that the nameless is so cute, and he did not deliberately perform in the process of dubbing
When I was dubbed by nameless, the main point of Qianbunku’s attention was the unnamed feelings of oysters and jealousy. Qianmou felt that oysters and oysters were unnamed people who could really treat them with sincerity, so when they interpret this part, Consciously to express the spoiled feeling of the girl
About the nameless cute, Suizhong thinks that the namelessness of the TV animation is younger, and this time the “Haimen Battle” is unknown, it is more like a girl. For oysters, all the way to the present, although there are special feelings for the nameless, but at best it is only a companion or partner, or a relationship between brothers and sisters, until this work suddenly realized that the nameless is a girl, Especially for the slender performance of the nameless, which can shake the hearts of people, it was deeply shocked
For the view of Yuzhong, Qian Benmu said that this is actually the name of the original. Because the namelessness in TV animation is too much affected by my brother, it has not been normal. After this TV animation, I finally can express my thoughts of “I want to do this” or “I want to be treated like this” frankly, and let people feel that the nameless really grows up
When I was dubbing the oysters, I was looking forward to the mood on the one hand. On the one hand, I was confused about how to bring the dull voice that was so full again. I felt that I had to imitate the feeling of TV animation. Pressure
In this case, Suizhong was told at the site that it was included, “You don’t have to imitate the feeling of the original.” Because the oysters and the namelessness in front of the audience have grown, there is no need to try to play the past. Oh, I am relieved. Suizhong said that although the same feelings were maintained at the time of inclusion, there was a difference between the two, and at the same time, I felt that I really grew up in the process of inclusion
Not only in the middle, but also in the wood, it was told by the Superintendent that “from that time on, no name has been growing, so don’t mind the feeling of the past too much”, so there is less concern when dubbing. On this basis, this unnamed feeling is more abundant than before, so pay attention to the unspeakable inner shake and the part of the woman’s power when dubbing
Referring to the inclusion site, Qianmmu revealed that only the members of the Iron City were included separately, so the atmosphere was very pleasant. From the audition stage, I can feel that everyone is working hard in one direction. Since I did not have the spare power to pay attention to these when I appeared in TV animation, I felt that I grew up a little
畠 说, , 这次 这次Because I really liked the feeling of getting back up after being beaten, I replied to the two people, “The more you are beaten, the more you enjoy.”
And after this happened, it was the turn of the oysters to take out the bullets on their legs to save the nameless scenes, which was always in the state of shouting and dubbing. I mentioned that I was very serious in my performance, but I felt the sight of Masuda and Fengyu from behind, and then I learned that the two of them looked at themselves and said with a smile that “it is definitely super cool now.” Recalling this incident, I was very sorry to have answered the question of the two people honestly
In addition, the two also mentioned that the singer-in-chief of the singer, who took the night dance to the scene, went to the scene, and everyone tried it out. The scenes that danced in the night and danced were quite interesting. Qianmiki said that when everyone was shouting “SORE”, he added a voice similar to a warrior. In the middle of the sigh, I feel that it is really great to stay in the final scene. There is a feeling that everyone will dance together after the big battle, and when you include the slogan that everyone dances directly to the night with the emotions of the war, I am really happy..
After reading this completed article, Qian Benchu expressed his surprise that the oysters became so inferior when they saw the scene of no name and arrogance from an objective perspective. Since I was dubbed in the mood of “I have a good look at me” when I was included in the collection, I couldn’t look at the oyster part. I feel that the whole article can make people feel that the sound effect is very hard, and the level of painting is quite high. Whether it is a performance or a script, all aspects of this time are quite particular
The last two people expressed the hope that in the future, the work of “Iron City” will also have the opportunity to be visualized. Through this “Hail Gate Battle”, everyone can see that they are unknown. They are still hopeful to live as Kabanelli. Therefore, in the future, you may be able to really see the nameless rice. At the same time, if there is such an opportunity, it will also enable the audience to witness their growth again
[References].
- “甲鉄城のカバネリ海门决戦”畠中佑・千本木彩花インタビュー