John UM
The animation plan for the production of “The Magical Circus”, “Doruo”, “The Pirates of the War”, and the production company Twin Engine announced the capital reduction announcement on July 12, announcing that the capital of 867 million yen will be reduced. Up to 9 million yen
(https://gamebiz.jp/?p=243246).
Such a large amount of capital reduction is inevitable and unpredictable. After the news is released, there will be a comment on the marketing blog to carry an anonymous discussion version on the matter. The Twin Engine has suffered a serious loss and is closing down soon
Twin Engine President Yamamoto Yukih explained that the company had a large-scale capital increase in April. The capital reduction was only used as an accounting treatment to convert part of the new capital from paid-in capital to capital. Product. All new capital is still in the company in the form of (should be broad) cash
President Yamamoto also said that animation business is not a business that can easily make money; but because of this, it is a very valuable job to devote tactics and thinking methods
(https://twitter.com/koji8782/status/1149633559147110401).
The cartoonist Yashiro Kenno sees the light novelist Itoヒロin the praise of “Monsters War”, so he began to watch, the show in the picture of Showa violently awakened his childhood memories, The strong sense of loss caused him to tears, difficulty breathing, rapid heartbeat, and had to stop watching. He did not think that he was not afraid of hunting and horror, but he was hurt by the sense of nostalgia
Yano did not read “Monsters War” in his childhood. But the film was released in 1965, when he was 8 years old. Therefore, all the life descriptions of the streets, signs, vehicles, furniture, etc. in the movie all made him flash back in the past, which made him unbearable. Although the works such as “The Sunset of the Three Ding” will make him feel nostalgic, but did not let him suffer such damage
He is not regretting life, or wanting to die. Just, what should I say? The kind of place, things, atmosphere, smell, interpersonal relationship, etc. that I can never go back to, which I have never lost, is too strong, so that he has produced everything as if everything I am going to end the same mood and I am very scared
To say the smell, in the “Monsters of the Big Wars”, Sikong usually photographed the scene of smoking. The smell of tobacco, also as a very common environmental scent, was printed in Yano’s childhood memories. At the time, whether it was on the street, at home or in the car, it was natural to have such a smell, so unless someone sprayed the smoke on his face. He doesn’t feel uncomfortable. This feeling may be unbelievable to the people now
Nowadays, when Yano goes out, the smell of tobacco will occasionally float, and he will fall into the thought of nostalgia. It seems that in his heart, the smell of tobacco seems to be the same as that of grass and sea breeze, and it is classified into a scent with nostalgic feeling. Having said that, he himself has quit smoking about 20 years ago, and he has no desire to suck at all
(https://twitter.com/yanoja/status/1148602786776518656).
Literary critic Fujita revisited “Evangelion” and once again felt that this is a miraculous work. When you grow up, you will see it again. You will have a deeper understanding of the “killing and killing”. Although EVA is also a work about the self-consciousness of the otaku, but beyond this theme, he can resonate with the excess eye-catching service and the deep mystery in the big reversal
But even so, as a driver who masters the destiny of mankind, is everyone too ruthless to him? If the sincerity collapses, everyone can all die, so isn’t it necessary to tout the feeling of touting him and taking care of him? This made Fujita realize that at that time, there was no such idea as “mental health care.” In the decades that followed, people’s common sense has changed so much
Fujita further felt that nowadays, the “air system” and “daily” animations like desserts have become mainstream. For students born in this situation, the 1995 EVA worldview seems to be so dark that it is so unbelievable that some students ask him: “Why do you want to see this in animation?” “Why is it popular?”Why?
If you explain to them, “The supernaturality of the 1990s was very popular…” “Responsive to the 80s, self-abuse and bad taste in the 1990s…” “People really believe in the predictions of Nostradamus…” The economic bubble burst and social unrest spread…” “The social image of the otaku is also very poor…” The more explanation, the more their eyes are full of compassion, making Fujita feel sad. He felt that he could push the old man to feel the mood when he did not know the children of the war
Although some people think that animation does not need explanation and explanation, many people who are ten or twenty years old can’t understand EVA, and they won’t take the initiative to look at it. Most people will only end up with the feeling of “do not understand what is meaningful” and “disgusting”. Therefore, it is necessary to start from the era of “EVA, “Meng” is not popular, and the attitude of seeking cure in animation is not universal.” Explain to them
(https://twitter.com/naoya_fujita/status/1149122841188585472)