John UM
[this week’s beautiful girl in the light talks・白版].
The fourth time “Hug! The beautiful girl of light, the 44th-45th talk.
Due to the New Year’s routine, “Hug! The beautiful girl of Light in 2018 will be until the 45th broadcast on December 23. 44 words are the personal summary of the gauze, 45 words is the Christmas back for the story of the protagonist of each protagonist, this quarter pays attention to each person’s development of the emphasis on the daily plot, also just to the 45th to come to an end
After the other members of the protagonist group ushered in an event that was significant for the individual, the gauze’s movements attracted attention. In the story of the gauze in the past, there is a story of hard work and hard work in the actor’s career, but at the same time, after she recalls her mother’s dream and her steadfast actor’s higher goal (26 words), she arranges Two internships at the hospital and her interest in the profession of doctors. How to choose between two dreams? 44 words tell the decision made by the veils.In the
Light Beauty Girl series, there are quite a few stories of people who are determined to grow up, and the plot to change their ideal goals on the way has also appeared. “Go! The dream of the beautiful girl in the beauty of the beautiful girl in the blue light is the outstanding adult who helped the father and brother, but in the middle of the road, she noticed her interest in the veterinarian. Haitang students have also experienced some entanglement in the long-standing ambiguity, family expectations, and new awakening ambitions. “Go! Princess Light Beauty Girl” was broadcasted in 2015, not far from the present, plus the story of the same blue warrior “Abandon X from the doctor”, and the decision of this veil is inevitable
Compared with the story in “Go! Princess Beautiful Girl”, the change of the veils is not so much as “changing the dream in the middle”, but rather “seeking a new dream after realizing a dream”, but how to It is a problem to show that the previous dream has been realized. Therefore, for the treatment of the gauze series, it is important to point out that she has an interest in other things in the middle, and can not make people feel that she has left the actor work behind her, so the work on the actors is also taken seriously. The pen and ink make the gauze firm the keywords of the medical determination, and also carry out the doctor experience in the form of acting. As a result, when it comes to changing the choices of mind, whether it is for the people in the drama or the identity of the audience outside the theater, they are under considerable pressure
Not only that, in the context of the theme of parenting, the story of the gauze is linked to its complex mother-daughter relationship. Regarding the actor, her initial dream was to “go to the world at the other end of the screen where the mother is.” This dream can also be roughly regarded as “how to look at a mother who is too strong”. As a famous actor, the mother who has been living on the “other end of the screen”, if the veils are not studied to a certain extent on the road of performing arts, it is difficult to really understand
As for the creation of the character of the gauze, when it was first appeared, it showed a gentle and understanding, but lacked self-confidence and even some fascinating features. How can such a character grow up in the course of the past year, in order to courage to change the path that has always been, and even to break away from the influence of a strong mother, is also a problem that needs to be explained in this statement
For the pressure of “changing dreams”, “mother and daughter relationship” and “character shaping”, the 44th words are effectively integrated with a seemingly nonsense crossing event. Through the mother and daughter co-starring, the most essential part of the previous dreams of the gauze was realized; and by overcoming the setbacks encountered in the process of “shooting” in different worlds, the event that the gauze proposed that it was about to change was brought out, and the yarn was given. The opportunity to face the mother, but also to give a strong mother to show the fragile opportunities; the final treatment of the gauze in this series, objectively reflects her growth, filled with enough in a short speech Information
Choices are always accompanied by responsibilities. When children grow up to make their own choices and get rid of the influence of their parents, it takes courage to face the sadness and disappointment of their parents. From a child who lacks self-confidence and hopes to respond to everyone’s expectations, the gauze grows up to take on these responsibilities, whether it is dubbing seiyuu or the producers are full of emotions. The seiyuu of the veils, Ms. Reina, reviewed the history of the growth of the veils. She used to think that she had nothing at all, but she found new things in the time she spent with them until she took a big step in the story. Because the encounter with everyone allowed her to find her future dreams, and thought that this is a very gauzy style. Sato’s supervision of the change of the veils, I am gratified to believe that the gauze under the gentle appearance, and the strong inner heart that is occasionally revealed, is probably also the quality that Miss Quanquan himself has
Regarding “changing dreams”, Sato’s supervisor also recalled a similar plot in the “Stars of Change” and “Jade Sound” that he had supervised in the past. He believes that changing dreams does not mean giving up dreams. It is better to say that you don’t want children to have the idea that they can’t change once they have a goal, and that “dreams can be changed.”
(https://twitter.com/AbbieIzumi/status/1074093726446673920).
(https://twitter.com/AbbieIzumi/status/1074093852942692352).
(https://twitter.com/satojumichi/status/1074295504865873920).
(https://twitter.com/satojumichi/status/1074299972252622848).
However, in the words of so much information, but also trying to invigorate the atmosphere through a relaxed and funny plot, the length of the arrangement is also stretched. Judging from the factors of the extraterrestrial adults, the Christmas business war is just around the corner, and the last chance to showcase large toys is that the five-person big move can’t let go. Eventually, the battle layout is simple and the transition is too fast. It is also a regret for the fly in the ointment
In the whole year of “Hug”, it seems that I often struggle with a limited length, and this battle until the “final daily return” 45 words still does not stop. In addition to the protagonist Nori Maya, the personal backs of all the other major characters have been played, and Christmas should always be spent leisurely? – but not. The fate of the enemy cadre Jeros, the little regrets left by Dr. Lulu and Dr. Traum, the experience of how to get along with Harry after the loss of love, the relationship between the mother and the maiden, and the relationship of A Lijun Recent developments, as well as the enemies who have been adorned with many daily routines, teachers, and whitewashed enemies… Of course, there is also an ominous attempt by the president of Xianghe. In the Christmas Eve, the beautiful girls and the surrounding people were collected as much as possible. The story of everyone’s story did not end because of their home court. Everyone’s time is still moving forward
This intimate Christmas back, and finally ended with the photo on “Curesta”. In the summer series, you may already be familiar with this method of closing. Embrace in Animage! In the Supplement to the Beauty of Light, the supervision of the ancient Ming Dynasty believes that this is a good idea to integrate the toy into the plot and stir-fry atmosphere; from 24 words, it ends with the photo as much as possible, and at the time it was also the new birth of the 31st words. “Cheerful Style”, let everyone’s friendship and fond memories be turned into tangible through photos. Now, using a “family portrait” photo at the end of the final battle, how to recycle it in the following episodes is reminiscent of imagination
As for these small volts, what will be the performance of the big battle after the end of the story? The main creations seem to be full of blood. The series constitutes an unprecedented Lien Chan in this series, and is responsible for the script until the last one; although the two supervisors have already known the ending, they are still eager to try the final climax and look forward to the reaction of the audience including the wide and large friends. For the final battle of the Staff, who struggled with the almost “greedy” aggressiveness during the year, we also settled down and look forward to January next year
With the end of 2018, the celebration of the 15th anniversary of the series will also come to an end. However, the fall theater version released on October 27 is still in the theater. Miyamoto Hiroshi’s supervision took the opportunity to release a theatrical version of the map, wishing everyone can spend a wonderful time together with the beautiful girls in the cinema
(https://twitter.com/gatyapen/status/1076632486279409664).
I wish you all a Merry Christmas & Happy New Year, if you have a chance, see you in the new year~.
[This week’s Toei Animation History Collection].
“Giggle’s Ghost Taro” plan book.
The 50th Anniversary is being released in the “Gig Taro”, the first animated version was first introduced in January 1968. However, the original author Shui Micao’s comic version has developed a variety of forms in the past ten years. Even the weekly comic book version of the original is 1965. The original title was originally “Ghost Taro of the Cemetery.” However, in the early days of the animation campaign, in 1967, Toei Animation tried to submit it to the new program group planning book of the production bureau TV station, but the title was “Ghost Taro”
“Ghost Taro Jun” This deliberate title is influenced by “Devil Jun”. The original author and “Gig Taro” are also Shuimu Mao, and the comic version is also the same. In October 1966, Toei released the “Devil Jun” on TV, which was a special televised TV series for half a year. “Devil Jun” was successful, and it was just finished in March 1967. Therefore, in the plan to animate the “Ghost Taro of the Graveyard”, Toei Animation deliberately named “Ghost Taro” to the hot spot. Because the essence of this kind of project is to sell books, the core purpose is to tell the TV station what to accept your show
“The giggling Ghost Taro” is very difficult to animate, and has always been closely related to “Devil King”. Although one is a TV series and the other is an animation, the production companies at the production stage are different. One is Toei Tokyo Manufacturing, one is Toei Animation, and both are Dongying’s subsidiaries. However, at that time, the planning and business stages were the same. Since they were all TV groups, they were all responsible for the Dongying TV Division directly under the parent company Dongying. The proposal for the visualization of “Ghost Taro of the Cemetery” was earlier than “Devil King”. From the hard-line editor-in-chief of Mizuhiro, who was responsible for Shuimu Mao, he went to find the leader of the Dongying TV Division, Watanabe
Uchida and Watanabe, in the late 1960s and early 1970s, there were countless historical masterpieces that had been accomplished by these two people. For example, “Demon King” and “Giggle Ghost”, such as the “Robot Poetry” of the president of Toei Animation in the 1990s. For example, there are two kinds of “Judoline”, the spirit of the second period of the Otto series, and the spirit of the first period of the Kamen Rider series. For example, even today, even young people who are only chasing new programs, can also hear the “Tiger Face Man” and “Kamen Rider”
“The giggling Ghost Taro” is now an animation broadcast by Fuji TV. The first phase was also broadcast on Fuji TV in 1968. And this is the cooperation between Toei Animation and Fuji TV in the early days of history. It relied on Watanabe’s business network that was opened to Dongying in 1966. The first collaboration between Dongying and Fuji TV was in 1966
In the second half of the century, between Dongying Animation and Fuji TV, such as “Devil Z”, “Gaita Robot”, “Galaxy Railway 999”, “Ala Lei”, “Dragon Ball”, “Beidou Shenquan” were born. “Digital Baby”, “One Piece” and other big masterpieces of the subversive industry. However, “Ghost Taro of the Cemetery” was originally scheduled not for Fuji TV. Since the original homeopathic thinking was from the Dongying Group, the first choice was naturally a family of Asahi TV stations. At that time, it was not called the Asahi TV station, called the Japanese Education Television (NET), which was the TV station that released the “Devil Jun”
But Amway failed, the biggest resistance is the title “Ghost Taro of the Graveyard.” The word “cemetery” is really bad feng shui, and sponsors are afraid to go. Although NET is a member of the Dongying Group, it has to serve the Dongying Headquarters, the largest shareholder at the time, but the sponsors are willing to come, but it is not the power of the capital that can be solved, so NET does not dare to live or die. Pick up this trick. Watanabe had no choice but to adopt the tactics of returning to war. The trick was to send the singer to the NET with the same author. Intended to be the success of “Devil Jun”, use this score as a basis to persuade TV stations and sponsors to swallow “Gantaro” in the cemetery
“Demon King” This work, 23 years later, in the first year of Heisei, there is “Hug! The director of the beautiful girl of Light, Sato Shunichi, is an animated version of the series director. This is the successor of “Saint Seiya”, and since this year Sato has been in the same group for five consecutive years as a director of the series, directly connected to his other representative work “Sailor Moon Sailors Month” 》. Sato’s number of directors in Dongying Animation has been close to double digits, but the associated group has only two since ancient times. One is the “Little Witch DoReMi” and “Hug!” This morning stall of the Beauty of Light, the other is the file of “Saint Seiya”, “Devil Jun”, “Sailor Moon”
As for the 1966 special TV series “Devil Jun”, which used to be a springboard, of course, people today have never seen or even knowed about existence. For people who are now, the probability is not good, but it does not matter. But there is one, the content of “Demon King” itself may not be important now, but its historical status has been unshakable, and this is a staggered node. This half-year-old, which seems to be unremarkable now, has an impact on history in different dimensions of comics, animation, and special photography. From creation, production, and business, it has become a turning point in history
The development of this research report was handed over to Anitama’s other topics, but it is not that the content of “Demon King” itself is not meaningful at all, otherwise it would not be enough to be giggled. Ghost Taro paves the way for a springboard. “Devil Jun” is a strange route, which is a horror film, but because it is for the children after all, it is not the kind of scary and shocking movie that the later generations understand. The strange route was relatively unprofessional at the time, and it was an adventurous operation, but “Devil Jun” killed a bloody path. Because it was a TV show that the monster appeared, so I smashed the monster trend led by “Otto Q” and “Altman”
“Ghost Taro” plan says so, in the field of TV animation, now the strange theme is an organic vacuum! This strange and unique theme that is not seen by other TV stations is not worthy of just a “Devil King” to cut off the follow-up. In the same period before NET broadcasted “Devil Jun”, the opponent who competed for ratings was the animation “Harris’s Whirlwind” delivered by Fuji TV. This gadget is very popular. In the period when it was not a positive opponent with “Devil Jun”, the Kanto wide-area circle had a maximum audience rating of more than 30%. However, in the Kansai Region, “Demon King” has a higher rating than “Hurricane’s Whirlwind”, and this has become a powerful basis for Amway in the plan