John UM
This column is a monthly issue. It is based on a single episode of paintings in the past. It introduces the ornamental paintings and the characteristics of the original artist. However, the content is not limited to a single episode, and other animations will be used as a data supplement. .
Love ラボ First words After the meeting, two people, the twelfth words ずっと友达でいてくださいね.
“Love Institute” The first words of the two people, the twelfth words, please be my friend forever.
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The first words.
Mirror, performance: Ota Yahiko.
Master painting supervision: Nakajima Chiaki.
Painting supervision: Nakajima Chiaki, Takano.
Original paintings: Oshima, Takano, Nishii Ryo, Watanabe Yuki, Nobuyuki Nogami, Scorpio, Kazuo Harano, Yoshida..
Twelfth words.
分 分: 小沢一浩.
Performance: Fujiwara Kazuyuki.
Painting supervision: Yoshida, Takano.
Original painting: Ikeda Yumi, Nishii Ryosuke, Watanabe Yuki, Oshima Edge.
The daily acting of the animation workshop has always been the focus of painting enthusiasts, especially after the broadcast of “Swinging Lily”. Among them, Mei Yuanxiang played a very important role. His pursuit of painting “moving” and the vision of seeing and employing people all benefited the workers. Oshima Ryo, Nobuyuki Nogami, Nishii Ryosuke, and Watanabe Yuji is the original painters who are now in the industry. They have played well in Meiyuan. .
“Unconfirmed Progress” and “Three Three-leaf” are his masterpieces. In the current issue, the first episode and the twelfth episode of “Love Research Institute” are also very episodes of Meiyuan. .
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真木夏绪 (left) Cangqiao Lizi (right).
It starts with the big island edge that is the first episode. .
Oshima’s acting skills, eyes are very important “weapons.” The first pass of the two passers-by and the twelfth set of two people sitting in a chair and sweating, can see the characters blinking frequently. Since the beginning of the show is the nobleness of Missy’s Girls’ School, Oshima’s portrayal of the eyes is also very suitable for expressing this theme. .
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Eyes that are slightly sinking are also a prominent feature.
Oshima’s edge painting is either a delicate expression that has been repeated for many times through a gentle movement. The change between Zhang and Zhang is very small. For example, the two shots mentioned above, as well as the red hair character. Touching the cheeks with your fingers, the movements are very small, but you have done three performances with your hands and eyes, and the followers and eyes of Lizi when he took the bag. .
Either it is on a slow basis, suddenly elongating the track of the character’s movements, the rhythm will become slow and slow, and in the anxious part will add hair up and swing. For example, the first episode of Li Zi turned away from the camera, through the handsome acting with the hair fluttering to express the personality of Li Zi. In the twelfth episode, Shinki said to Lizi that “you must always be friends”, the dense hair ends are spread out on both sides, and this painting also forms a unique big island-edge acting. .
Xijing Liangfu has been active in A-1 pictures in recent years. In 2012, his work “Reminiscent of モノクローム” at the university showed a very high talent, and then he was produced in the second season of “Swallowing Lily”. The sixth episode for the first time served as the original painting. .
The original character of Xijing Liangfu is a distinctive feature of the various objects on the body, and it attaches great importance to the fluffy feeling of the clothes under the movement. These two points can be seen from the shot of the real wood Xia Xu to the ground. It can also be seen in many shots in the twelfth episode. .
In the first episode, the best shot of Xijing is the real wood to lift the foot on the box. Although only a part of the lifting action can be seen, the accurate stepping point and the follow-up of the skirt can still make people feel the change of the center of gravity of the action and the overall movement of the action. In the past few years, Xijing has often painted a part of the whole body movement of the character, especially in the “How to Develop a Passerby Woman.” Because the interval between Zhang and Zhang is short and uniform, and the change of shadow and pleat is very rich, the density (information) of the original painting is very large, and the accurate stepping point combines to make people move “slow”. Brings a very strong “real feeling.”
Xijing’s outstanding performance in this film is basically in the twelfth episode except for the carton. The card running is very good, especially the odd running kind. It is very interesting for the two to enter the painting from the right to do the hand-held performance. There is also a card that Lizi jumps off the stairs. The center of gravity swings twice before and after the arm is pressed twice, and the center of gravity of the lower floor is designed to be very clever. This concentration generally simplifies the styling, and the use of obake is also very bold, so the unrestrained Xijing Liangfu, after he went to A1, basically can not see. .
Nobuyuki has a very high popularity both in China and Japan. In the same year, the two most anticipated people in the Meiyuan department were Yezhong and Xijing. Xijing’s painting role is relatively slack, and the feeling of the painting character in the wild is very obvious, especially the strength of the waist. If a president of the Football Association looks at the paintings in the wild, he will definitely praise the role of the hip muscles particularly strong. .
Nono was responsible for the 8:30 to 9:14 part of the first episode, and did not participate in the twelfth episode. The two eyes of the bright eyes are the changes in the center of gravity of the characters. The first Karaoke to the front of the blackboard, the character inertia is not only to the right, the inertia is still moving to the left before getting up, and the character of pulling the person is much stronger than the apparent inertia of the pulled character, and the card that the Lizi pulls the real face is more obvious. . When Lizi touched the back of her head and hand rubbed it down, Lizi was also driven by the inertia of the hand. .
A number of changes in the force of a complete movement is a very difficult place to draw, and it is even more difficult to arrange the characters’ acting skills. The wild painting itself is very strong, and the single shape is not bad. The skillful design of the acting, the many changes of the force and the styling are also accurate. The combination of the three is in fact an “old evil” among young people. .
Watanabe Yuji is still working on the ground. The second season of “New Game” is the maiden of Watanabe, and the Q version is also designed by Watanabe. .
Watanabe’s paintings are very interesting, exaggerating the character’s movements, and then connecting through the human body deformation, the use of obake is frequent and bold. Watanabe often adds a force that is obviously moving in the opposite direction before a big movement, so you can feel the elasticity of the character movement. Watanabe is a way of accumulating power. .
The twelfth part of the real wood and the boys are alone in the room, the real wood ran to the wall and holding the curtain circle, all through the bold and unrealistic dynamics, let the real wood panic, cute and leaping on the paper. After Lizi was shocked by the rotating card, she also added a downward squatting action before the turn, which made the character movement more flexible. If it is directly turned, it will not be such a good comedy effect and enjoyment. There is also Watanabe on the Anitama. 作画MAD, interested can see MAD and copy (copy is very important). .
The part of Yoshida’s playing has nothing to do with jumping. The first episode draws a long, long paragraph, and there are several cards overlooking the walking poison card. However, I did not draw the original paintings of the twelfth episode. In the third episode, I painted a great acting. The acting character of the play will have a small beating, so the hair will rise as well as the edge of the big island, and the hair root after the hair is raised is also the key method of the accompaniment. .
In addition, the first episode of Kono also painted a few Q versions, real wood bounced back and forth on both sides of the screen, with the swing of the hair is very high. .
From the beginning of “Swaying Lily” to the end of “Three Leaves”, it is the most representative of Mei Yuanxiang’s pursuit of the original painting. Nowadays, Xijing, Yezhong, and Watanabe are their main owners. It is difficult to see and draw a few paintings in the same film, and they are cherished.