John UM
The light novelist SOW talks about his favorite “Saint Seiya” female character is the silver saint of the Ophiuchus, the saint, saying that she has enough weight to be her own hero. The editor of Kadokawa Haruki Office, Nakazawa Ichiro, also said that the author of “Saint Seiya” is the car of Masami, and the painting is the polar of the JUMP-style juvenile manga, but the story about Chrysanthemum in Chronicles is completely a girl comic. The JUMP readers did not accept fantasy comics, but the world view of Saint Seiya was set to match the strength of the later Kadokawa House comics. The talent of Che Tian is obviously beyond ordinary people
(https://twitter.com/nakatsu_s/status/1191879172919943168).
The light novelist Ge Xishen has repeatedly mentioned that the style of the creation of Che Tian Zhengmei seems to be unconstrained, but in fact it is carefully calculated (including unconscious calculations). In addition, Yamada Ichiro → Yokoyama Glory → Ikeda Masami is the same kind of entertainment science that forced the persuasive force to use the “scientific” theory of forcing, and perfectly conformed to the historical trend of JUMP and juveniles towards entertainment products as a whole
As for “Saint Seiya”, it is a lesson learned from the previous work “Men’s Boy” for half a year. “Because you want to be animated, you can add elements that are easy to make toys.” “In order not to scare off female fans, there is no conventional giant in the protagonist lineup. Han and the uncle’s face role “but at the same time retain their own favorite elements of the reader, do not tamper with, do not waver, do not give up”, thus achieving success, can be described as a model of such business planning
Gexi believes that the holy clothes are white “transformed robots worn on the body”, but why not directly draw robot comics? Because of the robot comics, you will lose the charm of the car field comics – the bodies of the teenagers collide with each other, bruises and bruises, fierce battles – ah
(https://twitter.com/kasai_sinya/status/1191883713237241856).
Cartoonistかたおか みさおRecalls a past event: When she was in her second year, she went to the juvenile JUMP comics classroom with a cartoon drawn on a notebook with a pencil. In this comic classroom, several cartoonists sat at the table and watched the pictures drawn by the children (mainly primary school students). They boasted two words, “It’s really good to draw,” and signed the name for the children. It is a comics’ classroom, but it is more like a fan meeting
AndかたおかChe Tian Zhengmei went. She lined up to show the comics drawn by Car Tian, and Chetian said, “Well, I read, you wait a little.” Then she carefully read her comics and began to give a series of criticisms:
“This is the scene you want to paint right? But is this scene really necessary? To draw the character of this character, it should be the scene in front. It is not necessary here. It is not necessary here. I Know that you want to paint this character, but you need to draw it right here? Also here. I can understand it here. Ok, you can repaint it once and then you can understand what you can draw. Draw and draw again and again. 20 pages! Try it with 20 pages!”
Faced with a cartoon drawn by a yellow-haired little girl with a pencil in the second grade, Che Tian taught her how to succinctly let the work end
Later, かたおかAbout 20 When he was old, he saw Hitchcock’s interview, which said: “The work of the film director is the film that is cut and cut.” Because the meaningless mass is piled up, the film will become boring. .かたおか醒然醒: This is not the car Did Teacher Tian teach me something that year?
かたおかdebut in 1989 She used to make comics “commodities” from what she learned when she was 13 years old. She has been floating in the comics’ industry for 30 years
(https://twitter.com/MK1202_TDF/status/1192047155252355072).
After talking about this memory, かたおか I think of another point: that day, she did not have to sign the car field!