John UM
Illustrator Sen Cangyuan held his first solo exhibition, accompanied by Katoアカツキ. At that time, there were no other people in the exhibition hall. Teacher Kato looked around and looked at it. All of them were beautiful girls, so that he had the illusion: “Is it a beautiful girl?”
Kato teacher walked out of the pavilion with the beautiful girl’s mood. On the way home, he passed a Chanel. When he saw the window, the glass reflected the face of the uncle, and let him wake up
Kato said that he has experienced this feeling in other places: this and “Idol activities! “It’s the same
(https://twitter.com/AkatsukiKatoh/status/1100761138407518208).
Comic researcher Sansaki Shangren chats with an exhibition writer and writer at the fan exhibition. At this time, the writer’s assistant, a beautifully dressed beauty dress, came to greet the writer
After the assistant left, he asked the writer: “I was an assistant just now? I only saw her wearing a pajama and was shocked.”
Sansaki said that although he has heard many similar cases, it is quite rare to experience it personally
(https://twitter.com/nmisaki/status/1101319100075110400).
Illustrator Nakamura Bowen sees Twitter on the topic of late madness, and escapes: 30 years ago, when he created an illustration for the smashing TRPG “Penglai Academy”, he made an appointment with GM. When the manuscript was handed over at the station, but the painting was not completed in time, GM waited for 4 hours at the station, and finally did not draw it. He had to let GM go back to the production company. And this is not once or twice, and he did it 12 times a year. For this topic, he is trying to detour
(https://twitter.com/dozinchi/status/1101898107392942080).
The American group Prostasia Foundation publicly collected signatures on the Internet and wanted to write to the United Nations, stating that blocking child pornography can not protect children, only infringes on the rights of creators; and calls for attention to children who are invaded in reality, instead of Fictional children who will not suffer
(https://prostasia.org/blog/experts-to-united-nations-hentai-ban-would-be-a-mistake/).
CG Animator Watanabe also sees the news. In retrospect, he won a prize in a CG idol competition around 2000, and someone who claimed to be an FBI instructor came to the door and said that the United States had a real child porn. The prisoner argued that he was doing CG, and that no real person was victimized, so he was not guilty. Therefore, the FBI hopes to borrow Watanabe’s CG works for research
Watanabe sighs, the way the United States thinks is still the same
(https://twitter.com/anitemp/status/1101409371173449729).
Professional comic assistant Sato Denhiro communicated with the students who had been in the school, and came to the conclusion that the teachers in the comic school were too old-fashioned, so the things that could be taught to the students were also outdated
Sato has been unable to understand why the teachers of the comic school do not read the comics read by the young people nowadays, and they are still using the works of the cockroaches to make teaching materials. When students see such a textbook, they have lost interest in learning
(https://twitter.com/link_papa/status/1101790786004299776). Is the
handcuffs really not suitable for comics? What kind of comics should be suitable for teaching materials? Professor Ito, a professor of comics at Tokyo Institute of Technology, read Sato’s tweet and also expressed his opinion
Ito believes that the oldest of the “now comics” that students can think of is the “Fullmetal Alchemist” and “Detective Conan”
So, to analyze the basic methods and techniques of these “current comics”, what is the most appropriate material for the comics of that era? Ito advocated that it was the second half of the 1980s and the first half of the 1980s
In other words, the latest comics are not necessarily the best comics for use as textbooks. This and Sato’s “attracting students’ interest” are different topics. Because of the newer comics, the analysis will often be “to combine that technology with this technology, and then add clever adjustments…”, which is too difficult for beginners
Of course, in the works of the 10th, you can also find comics that are suitable for teaching materials in this area. In fact, Ito himself also used some relatively new comics in the lectures, such as “ダウンタウン涩の芸人を基本认めていないお笑いマニアの楽园》
At the same time, Ito also pointed out that Tezuka Osamu is really difficult to use as a textbook for comics. Although Tezuka Osamu lays the foundation for Japanese manga, it is said that he has a great influence on the cartoonist (probably mental) in the future. In terms of expression skills, it is more appropriate to say that handcuffs have always been a “special point.”
From this point of view, Ito agrees that there is a problem with the comics’ teacher who uses the handcuffs as a textbook; but the problem is not that they are conceptual and aesthetically old, but that they are too shallow on the performance and technical analysis of comics..
(https://twitter.com/GoITO/status/1101791449509552129)