Bloggerイシダp found a wonderful real estate agent in Mito

(https://twitter.com/twit_chu/status/1114382325867880448).

Light novel writer Tiger walkかけるSay, let her feel that “even if only once in a lifetime, absolutely want to invite this person to draw a cover” illustrator, there are infinitely many; She must also persist in her creation

(https://twitter.com/kobashirikakeru/status/1114134395097468929).

The cartoonist Shanwei Gongzhi said that he was timid. Even after he finished the meeting, he remembered that he had forgotten to tell the editor, and he did not dare to go back to the editorial department because he couldn’t help but think: if he thought he had returned to work. Room, what are you saying about his bad things? What if the strange name is given to him in the editorial department?

(https://twitter.com/seokouji/status/1114501727300931584).

The Shunying News “Weekly Youth JUMP” and the talks “Weekly Junior Magazine” have been eyebrows for a while, and on April 1 even announced the false news of the merger of the two magazines

Today, the two editorial departments announced that they will jointly launch the joint project “JUMAGA Academy”, which will open an open cooperation website from April 8th to June 10th for readers under the age of 22 to read the two editorial departments free of charge. More than 160 comics. After reading the free number on the website, you can also download the “Junior JUMP+” and “Magazine Pocket” applications through the website to continue reading the electronic genuine comics

(https://jm-gakuen.jp/pc/).

This is the first cooperation project initiated by the two publishers of Xieshe and Jiyingshe. In addition, the two sides will cooperate to hold a variety of “campus activities” such as “comic relay”, essay contest, fan map contest, mid-term exam, graduation ceremony and so on

Jin Yingshe comic editor Jin Shang Dayou said that he received many copies of the mirror, it seems that when the author draws, he assumes that the reader will definitely read the last. This is not just a question for newcomers

Jin pointed out that when you watch TV, if you feel that the program is not strong, you will change channels. If you know that you will also be treated the same as TV programs and have a “terrorist feeling”, you will understand whether it is the lifeline of a work

Although it allows readers to read at the end and still feels “really good!” is the best, but to be extreme, compared to the slow and hot short stories that are getting better, only the beginning of the wonderful short story may be read by readers. Go in more pages. It is too difficult for the reader to read the end

(https://twitter.com/kanejo_gj/status/1113821745444601856).

And the light novelist Sakamoto Yuichi saw the tweet, and there was some emotion. He said that whether it is a comic book or a novel, “Readers will read the last? Can you always attract readers’ interest?” It is very important. Well-known science fiction novels Hirai and I have said that he has been thinking about how to let readers continue to turn pages

Nearly 40 years ago, Sakamoto once heard in the script research institute that the script for TV and the script for the movie are different. The TV does not expect the audience to concentrate. The audience is on the TV while doing work in the kitchen while chatting with people. Therefore, TV cannot be expressed by the screen

So what should I do? If there is an amazing scene on the screen, for example, if the protagonist pushes the opponent to the ground, then in order to let the person who is not watching the picture understand, add a narration and say, “The protagonist has pushed the opponent down!”. In this way, people who don’t look at the picture will be surprised and turn to watch TV. Sakamoto listened, recalling that I have actually seen such a TV series

And if it’s a movie, the audience is in the dark, watching the picture from beginning to end. So movies are not the same as TVs that must always appeal to viewers, and more ambitious and challenging expressions can be used. Because the audience is definitely watching the picture, there is no need to add extra narration to attract attention

These are all things that were used before, when people think that movies are lofty than TV shows

And Sakamoto believes that this is actually saying that the creators of comics, novels, television, and movies can trust the audience more, and believe that the audience can understand their own expressions. Can you trust the audience and express to what extent? How long does it take for the climax to accumulate? How long can the tunnel leading to the exit be repaired? Can this still constitute an expression? Can it be established as a work? Didn’t it become pure self-satisfaction?

Basically, writers who are immersed and deeply immersed in the story have long lost their normal judgment. But even then, can you still believe in yourself and believe that the audience will understand you? Can you not evade and insist on writing?

There are many works, all of which are made by the authors to the world, but they have not been appreciated by the world, and they disappear silently. On the contrary, there is no need to bother Conan Doyle as an example. There are also many works. The author wrote a handwritten letter, did not want it to be welcomed at all, but had to continue to write it down

So, Sakamoto concluded that try not to let yourself regret it

(https://twitter.com/sasamotoU1/status/1114093620418699264)


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