Anitama’s 2018 year-end summary

2018 has passed, and it is still necessary to summarize this kind of thing at the end of the year. Anitama has put together the works that have impressed the editors in this year

※ ※. Advance declaration. : This recommendation is only for the personal impression of the editor. It does not make any evaluation, ranking or scoring of the quality of the work, popularity, business achievements, etc. Please don’t take it out of context. Due to space limitations, only a few of them are listed here, and editors are not biased against other works. What impressive works have you had in the past year? What are your expectations for this year’s work? Let us know by leaving a message

I hope that everyone will watch the animation in the new year and have fun. In the end, they will talk about it all the time

[2018 Anitama recommended TV animation].

※ Recommended range: Animations that can be broadcast in 2018.

“POP TEAM EPIC”.

• Original: Dachuanぶくぶ.
• Series Director: Space Neko Campany, Mei Mukui.
• Series composition: Space Neko Campany, Kiyoshi Yuichiro.
• Character design: Space Neko Campany, Meimukui.
• Conceptual design: Meimukui.
• Music: KING (KING RECORDS).
• Animation: Kamikaze Animation.
• Sets: 12

This is not the TV animation we are used to. use. Rubbish “Innovation” to summarize this work is not an exaggeration, from the original OkawaぶくぶThe story, only a few nonsense lines can constitute a bizarre variety of entertainment hodgepodge animation, is simply a treasure in the industry

Only one short POP sub-high PIPI beauty two characters, they used each 12+4 seiyuu to interpret them. A and B Part use different seiyuu to reinterpret these two roles. Changing only some of the lines and pictures changes the audience’s audition mode.The

POP and PIPI beauty settings are almost the existence of God, nothing is POP TEAM can not do. So when God is bored, they can do whatever they want and play the world in the palm of their hand. Animations, like the original comics, are full of spoofs of various works, from comics, animations, idols, to current events

“POP TEAM EPIC” animation composition group is also very special, almost by the series director Aoki pure relationship image writers, they are active in the major image art festivals, rarely participate in commercial animation, because of this In order to break the tradition. At the same time, we broke the benchmark of our judgment on a work. Whether it is good or bad, it is a “praise” for it. Interest is the last word. It also brings a shocking whirlwind for future image creation. I am afraid that only POP TEAM EPIC can surpass POP TEAM EPIC

“Shinkansen Deformation Robot Xinkarion”.

• Original: Project SHINKALION (TAKARA TOMY, JR East Japan Project, Primary School Collection).
• Supervisor: Chi Tim Longbo.
• Series composition: Xiashan Jianren.
• Script: Xiashan Jianren, Yamashita Kenichi, Shinji Seiichi, Daiichi Kiichiro.
• Character Design·Master Painting Supervision:あおのゆか.
• Each painting supervision: Yong Zuoyou.
• Mechanical design: The service department is big.
• Music: Watanabe Junki.
• CG production: SMDE.
• Animation: OLM
• Production collaboration: Asiatic Church.
• Set number: 50+ (not yet completed, expected to be 75 words).

“Shinkansen Deformation Robot Xinkarion” can be said to be the biggest surprise in 2018! “The robots that are driven by the pupils and the deformation of the Shinkansen are fighting the enemy of the mystery…” The simple and easy-to-understand animation of the children’s toys is estimated to have scared away the audience who are not interested in the robots for the Shinkansen to the boys. However, when I look into it, I find that this is a very interesting piece of work that will be out of control and make people want to stop

“SHINKALION” is derived from “evolution”. The story revolves around the evolution of the protagonist, the evolution of Xinkarion, the evolution of human beings, and the evolution of underground people. The unfolding of the silk-striping style does not waste any of the plot’s debut characters, the lines are meticulous, and all kinds of pursuits of reality, the time development in the drama is synchronized with reality, especially the weekly chasing after watching more. The overall atmosphere is bright and the blood of the battle is no less than the brave series of the 90s. Every time there is a new body debut, I want to buy DX toys. However, the quality of the toys is really hard to start, and I can only wait for the model to be released

速杉隼人 can be said to be a very modern male protagonist, optimistic, cheerful and positive, with a love for the railway that does not lose to anyone, from time to time with the analogy of the railway, talking about the railways of the last century The stalk sometimes stuns the mind, but he can’t take it, know how to look at it, can distinguish between black and white, always think about his friends, and will not impose his own preference for the railway on others. It is simply a model of the hero of the new era robot animation. Drivers other than the monks are also full of personality, with their own preferences and reasons for fighting. “There are no bad guys in the driver of Xinkarion!” Even the Qinglong, who was originally on the enemy side, always has a pure heart..

As a result of the cooperation of JR companies (except for the Shinkansen’s four countries…), the railway-related descriptions are much more delicate than other animations. All the stations, routes, and locations in the drama can be found in reality. Just because “this kind of animation” is premised, you can see “such an animation”. Even the appearance of the enemy can see the synergy of Google Maps. Isn’t this also a super-strong “Holy Land Cruise” animation? ? In terms of linkage, it is even more first-class. In addition to JR companies, the “Evangelion” and the great assistance of Hatsune Miku are even more touching

Now, “Xincarion” is still not running yet, which is also the time since “The Sun’s Tooth Dagram” (October 23, 1981 – March 25, 1983, all 75 words) A robot animation that has broken through a year’s length for many years. Even the audience who did not know about the Shinkansen and were not interested in the Shinkansen, after reading “Xinka Liang”, have some understanding, and how many people want to try to contact this new field, then come on! DAN ZU DAN!

What, you said, there is no Shinkansen in China?

“DEVILMAN crybaby”.

• Original: Yongjing Hao.
• Supervisor: Tang Shuzheng Ming.
• Script: The first floor of Dahe.
• Character design: Cangdao Ya Yumei.
• Devil Design・Demon character painting supervision: Besan Qing Gao.
• Music: Niuwei Xianfu.
• Sound Supervision: Kimura Painted.
• Animation: Science SARU.
• Sets: 10

2018 can be said to be “the first year of Netflix animation”, a series of animation works led by Tang Shaozheng’s remake “Devil Man” – “DEVILMAN crybaby” began to occupy a part of the Netflix business. Whether the taste of these works meets the screen before you talk about it, at least they have formed their own style system, which will not be ignored in the animation industry in the future

“devilman crybaby” is a part of the 50th anniversary of Nagai’s painting industry. It is also the first time that the finale of “Devil Man” comics has been uploaded to the video work. Although there is a lot of original adaptations, it does not affect the audience to see the original in the form of animation. Myth ending. Under the name of “orthodox original animation”, what I saw was the picture of “compared with it”. The plot adapted from the ground floor of Dahee highlighted the “crybaby” (crying ghost). It is an incredible experience for even viewers who have already seen the original

When I first saw such a shallow personal style of “Devil Man”, it was slightly uncomfortable, but it was this “flattening” that made the animation more mad and dynamic. Out of the violent aesthetics of “Devil Man”, the impact of perception. Science SARU uses the most common but not often used animations in the animation to cut and draw lines, highlighting the role of monochrome shadow characters, without affecting the level of painting, Frost Mountain Pengjiu, Besan Qinggao The single brush of Kojima’s history is very enjoyable

In addition, the soundtrack of Niuwei Xianfu is more remarkable. The playmates are often used to highlight the situation and the feelings of the characters in the play, but they are not used in this work, and more like the ambient sounds naturally flow. The moving melody and the stimulating rhythm seem to make people’s heartbeat seem to follow the picture and be exciting. The insertion time of each episode has to be applauded. Audio supervision Kimura Eriji also scored a credit. The use of Rap in the play also added a lot to this work

However, the scale of this work is too high, and the officers also need to choose as appropriate

“BANANA FISH”.

• Original: Yoshida Akio.
• Supervisor: Neihai Dice.
• Series composition: 濑古浩司.
• Script: 濑古浩司.
• Character design: Lin Mingmei.
• Art: Shuigu Lichun.
• Music: Osawa Shinichi.
• Animation: MAPPA.
• Sets: 24

The genius of the genius, unbelievably suffered from all sorts of greed, and often shackled by the hard-to-break fatal shackles. Therefore, the bumpy encounter of the sub-repair gives people the impression of “disappearing fireworks when they bloom.” Originally, the Guanghua weapon, which only understood the meaning of the fight against the proof, was in the face of the matching scabbard, and obediently restored the long-lost peace and authenticity, just as the newborn baby could not resist the desire and attachment to the warm mother. Knowing the encounter, rare and easy to die, if the mirror is flowing, but at least, the dust that floats into the mortal world in the play can be immersed in the gentle love of the confidant and friends, and willingly sleep. The spirits and the rhythm are connected, and they are screaming at each other and facing the dynasty

“BANANA FISH” comics original classics need not be described, the animated version produced by MAPPA is also not a lack of interest, but in view of the subject matter label, it is indeed objectively a part of the supposed to uphold the neutral appreciation of the works. The masses of the people are hesitant when they choose

First of all, please relax the original powder for the “difficult changes”. Although the length of this animated version is limited, the authors of the whole system are still trying to do their best to carry out the purpose of the adaptation of the “lossless restoration of the original plot”. As for the fine-tuning of the background of the times, props, etc., it is only due to the grounding gas, to consider the consideration of young audiences

Since the original comic book gives a fluent look like a movie, the animation scene is borrowed as much as it is. In addition, the film is also interspersed with a lot of detailed performances. However, it is also necessary to explain to the original readers. Although the whole guns and fighting scenes are quite heavy, most of them are due to the interpretation of the protagonist’s situation and the need for the atmosphere to be rendered. Therefore, the drama is more suitable for the taste and delicate psychological description. The crowd of drama

If you are not the main choice for watching animations as a daily routine, try the “Love House and Ukrainian” entrant mode. Because the male master, Yasho (especially the man in the middle and late comics), from the appearance of temperament, manners, life experience, are everywhere to transmit the former friend of the Hollywood male god Keanu Reeves, one in the interpretation of the cause The glory of the rising, the embarrassing, horrible star, the shadow of the Phoenix River

In addition, it must be mentioned that the famous Japanese seiyuu Ishigaki Yunsheng teacher knows that the candle of life is about to burn out, and also insists on the last glimmer of light for the performance cause, and strives to create the complete image of Dino’s old man. At this point, dedication to life, really makes people feel moved

“Tomorrow from the colorful world”.

• Supervisor: 筱原俊哉.
• Series composition: Kakihara Yuko.
• Role Original:フライ.
• Character design · Master painting supervision: Akiyama has a Greek.
• Art Supervisor: Suzukiくるみ.
• Photography supervision: And Muzhi / Tomita Hiyun.
• Color design: Nakano is beautiful.
• Music: Yu Yu Liang Zhang.
• Animation: P.A.WORKS.
• Sets: 13

“I hope that you will be happy in the future”. At the end of 2018, when it is the coldest time, I have such a warm, no less than “I am waiting for you in the future” in “Girls in Time and Space”. Lines

This is an excellent work, フライThe design of the original character is fresh enough, the background art is as beautiful as ever, with the beautiful theme song and the inset Intoxicating. “Tomorrow from the colorful world” is like a hot drink under the warm sun in the winter afternoon, and it is a good temperature that can be felt even in the cold weather

Some people say that this work is too dull, not familiar with P.A.WORKS. And I think, to say that P.A.WORKS is synonymous with “heartache” and “stomach pain”, it is not agreeable. The origins and the best things about P.A.WORKS are the stories of youth. There are stories like “The Tomorrow from the Peaceful Waves”, which are constantly confusing, and there are stories like “Tomorrow from the Colorful World” that grow up in a little of special daily life

Can’t see the beauty of color, through magic to the world of the past, in the relationship between the grandmother and the students of some photography and art departments, find the lost color, solve the troubles that have been plagued for a long time. Knot. It’s not only beautiful to get grown, everyone is looking for answers on the road. The world is not gray, but what kind of colorful world is immersed in your canvas, you need to explore. Maybe you can get courage from the steps taken by the protagonists, and start to work hard to stop missing

I hope you can enjoy this work, I hope that you and I will be happy enough in the future

“Comic Girls”.

• Supervisor: Deben good letter.
• Series composition: Takahashi Natsuzawa.
• Script: Waiting for Tiantangzi, Yokote Michiko, Hanada Tenhui.
• Character design: Saito Kako.
• Art Supervisor: Tian Yijian.
• Photography supervision: Hirooka.
• Color Design: Tanaka Naoto.
• Sound Supervision: Mingtian Chuanren.
• Animation: Nexus.
• Sets: 12

The animation revolves around four female cartoonists who live in the cartoonist’s quarters. The first big thing about this film is of course the heroine Mita Kaoru. As a cartoonist, Moto Kaoru is called Chaos. Lori is a big uncle. It also emits the sorrow of abababa. It is pitiful, weak and cute. It is easy to arouse the desire of the audience, and the little chaotic mind I can also resonate with the mentality when I watch the film

Overall, this is an animation suitable for watching the nest on holidays, the story is simple and easy to understand, there are smiles, cute girls, and occasionally a touch of people, and “Comic Girls” is also a show. Watch the animation

Deben Shinsin supervised the performance work too much, so it is also very good at solving problems. According to the plot and the character of Moto Kaoru, the animation is very easy to do, which is obviously contrary to the relaxed atmosphere that the film should create. Therefore, by using a lot of comic-style expressions in the performance, Deben has dissipated the sorrow of the animation with a more relaxed and pleasant picture, greatly reducing the negative emotions brought by the heroine Moto Kaoru. The ruler head is more “meng” step. And also through the empty mirror lens to remind the flow of time, but also reduce the split feeling of the four-frame comics themselves. Together with the delicate painting, the whole film has a strong sense of everyday life, as if the character lives by his side, especially the first words

Simple summary of “Comic Girls” is the plot or the routine, but done well, so the look and feel is also very good. Whether you want to relax and enjoy a fun show, this film is suitable

“Saga Idol is a legend”.

• Original: Wide-ranging and listening to the zombie department.
• Supervisor: 境宗久.
• Series composition: The more the village is.
• Script: Murakami,ますもとたくや.
• Character design: Shenchuan can be pure.
• Art Supervisor: Ogura I.
• Music: Gao Li Kang Kang.
• Animation: MAPPA.
• Sets: 12

Before I touched it, I thought it was a funny piece of sand sculpture. Look at the title of “ZOMBIE” and thought it was a zombie film. After the formal contact, I found out that it was an idol film. After continuing to understand, I realized that the essence is local tourism propaganda. Sheet! “Saga Idol is a legend” is a work with such a variety of elements

There are several protagonists in the play as human idols as well as a zombie side. In contrast to the contrast between the two faces, the production team has very cleverly used the identity of zombies to make other works. This kind of horror scene that interrupts the hand and breaks the head can be very natural in this film. It can be used as a funny performance to adjust the atmosphere, and as an element of creating a terror atmosphere. It can be said that the performance of “because it is a zombie can be done” is the most vivid expression

Of course, hilarious is not all of this, but it is still full of serious plots in the funny, and although this part has the development of the kingdom, it is not routine, and it can often turn a peak in the climax of the plot, so that the audience can not predict Responsive

And the other theme “Idol” is different from the ordinary idol animation. Under the “Imperial!?” idol activity, the two characters who are all idols during their lifetime are different because of different times. Idol values are extended to discuss the nature of idols

Well, since it is an idol, music must not fall behind. After making an unexpected death of heavy metal music, this game followed by a wave of rap, and when the time was still unfinished, the electronic sound was put on the stage, plus the special style of the OP and the idol of the drama. The wide range of music styles makes the audience have more different enjoyments, and the quality of each piece of music in such a large span of music style is also quite high

As an original animation, “Saga Idol is Legend” can be said to have no flaws in terms of creativity, and in the fascinating story, it is not to be slow to be the essence of a local propaganda film. The success of this work has been proved by the linkage of the shop and the vitality brought by the broadcast to the Saga area. In the story of “Zombie x Idol x Saga”, the animation itself can leave a deep impression on the audience. Behind the novelty, there are also touching parts such as friendship and affection. It is a very good work!

“High Score Girl”.

• Original: 押切莲介.
• Supervisor: Yamakawa Jishu.
• Series Composition: Urawa Takahiko
• Script: Pu Yi Da Yan, Fu Tian Lai Zi,イシノアツオ.
• Character design: Sang Botian is full.
• CG Design: Suzuki Yusuke.
• Music: Shimomura Yoko.
• Production master: Matsukura Yuji.
• CG production: SMDE.
• Animation: J.C.STAFF.
• Sets: 12+3.

The memories of the arcade hall were not good. The seniors of the fighters, the bosses who are ugly, the teachers who may appear at any time, and the ones who are ashamed but not in a good level

And when the familiar place closes the door and puts on the seal, once again sees the back of the boss who is slightly intimate, the one is not beautiful but sweet

“High Score Girl” is such a work that looks less beautiful. Before the animation was launched, the full 3DCG production made many audiences retreat. Fortunately, the production team has to work hard, so that the insistence of the producer Matsukura Yuji is not in vain. Those familiar games, characters, familiar skills, and the music of the teacher Yokomura, are quite mellow

But for the average audience, the love in this somewhat special arcade hall may be a bigger point of view than the game in the arcade hall. “Winning the game and losing life” is obviously a naive bet, but it seems so sincere in the story; when you see Chunxiong who is obsessed with the game all day, when he suddenly studies hard, is it also a familiar figure? And the one who is with you can accompany you to the end

The cartoon of “High Score Girl” has been finished, and the old-fashioned ending still has a lot of tears from readers. This animation may only be suitable for a part of the audience who have a natural affinity for the game, but that sincerity is still recommended to you

Don’t miss the white school

“Meruco Story: listless teenager and bottle girl”.

• Supervisor: Chasing Shimin.
• Series composition: Shimi Saki, Uchida Yuki, Yugongひとみ.
• Story Supervisor: Happy Elements K.K.
• Character design: Akiyama by the tree.
• Master painting supervision: Akiyama Yuki, Shibuya Hide, Arai Bohui.
• Magic pet design: Fukushima show machine, Lu Tianqing enjoy.
• Art Supervisor: Idle Yum (Studio Jack).
• Music Producer: Mili.
• Animation: Encourage Films.
• Sets: 12

Since the work, the memories of the past have been encapsulated in my heart, because it is really worthwhile to take care of, need to make some space for your brain

But this animation reminds me of the past, so that the game in the adventure of the aerial world also has excellent music, and also has a fairy tale story, full of intimacy. This work is limited by the length of the story, the story was adapted slightly simple, but still good-looking

In the animation, the audience will follow the journey of traveling around the world with the “slaughtering teenager” and the “girl in the bottle” Meilu, and feel the customs of different countries, and each adventure is unique. Meet the needs of different audiences

Among them, we can also see the change and growth of each character, even a small step, making the world look in front of the audience more clear and broad. At the same time, with the music created by Mili, and the ending songs of Merroco (CV. Water Margin), it is quiet and long-distance, as if it is endless, it is endless

Although it was classified as late-night in time, it was unique in the late-night animation of the previous quarter. After a hard day’s work, sit down and take a look at such a relaxed and enjoyable story. It is also a pleasure to swim in the fantasy world

“Love is like rain”.

• Supervisor: Watanabe Steps.
• Series composition: Akaoでこ.
• Character Design·Master Painting Supervision: Shibata Yuka.
• Music: Ji Yuliang.
• Art setting: Aoki Kaoru.
• Art Supervisor: Yoshihara Junichiro.
• Color Design: Chiba Painted Beauty.
• Photography supervision: Goto Haruyuki.
• Animation: WIT STUDIO.
• Sets: 12

“Love is like rain” is the work that I added to the latest progress before the broadcast, after I knew the animation. The biggest reason for being interested is not because I like this subject, but because I was very handsome because I was wearing a suit and seiyuu, who was present at the event, which attracted a lot of interest Another main reason, in fact, Hirata Hiroaki and a teacher in my high school look a bit like…

The rhythm of the original work is just right. Because the media is different in form, the focus of the supervisors and other producers is probably different from me. Sometimes I feel the fluctuations and fluctuations, like rain, intermittently dripping down. However, from another point of view, it also happens to fulfill the mood change of the character in action

Open the story, the atmosphere in the animation, especially the important scenes, the control is in place. For example, it is raining outside the house, and the two characters of the protagonist, Orange Crystal and Kondo are interacting in the house. In the dark room, the meaning of the two people’s hugs is really too much

Can make people feel mixed, not only depends on the display of the screen, but also the performance of seiyuu is extremely important. As a storm experiencer, Kondo, who is more complicated, shows his identity as a manager, himself as an elder, and his own identity as a literary person. At the center of the storm, the persistence of the orange crystal is also moving

However, the two did not really cross this line. The rain that shared the bath with Jun made the ancient gear gradually stop turning, but did not get tired of this week-long movement. Bathing with you be called your rain, not only to face each other, but also to face up to the past. This book looks like a love story between a female high school student and an uncle manager. In fact, because of the opportunity called “like”, the two people who are connected together correctly understand themselves and accept the past stories

After a year, when it rains outside the window, let’s take a look at this “Love Like Rain”. The emotions shown in the work are worthy of being flattened to savor. What is the possibility in the rainy sunny future, I hope you can find the answer in the animation

“ANIMA YELL!”

• Original: 卯花司.
• Supervisor: Sato Masako.
• Series Composition·Script: Shimao Wenyan.
• Character design: Tianqiまなむ.
• Action Painting Supervisor: Kano Masashi.
• Art Supervisor: Yasudaゆかり.
• Color Design: Ito Yuka.
• Photography supervision: Liao Chengzhi.
• Clip: Ono Temple painted beauty.
• Sound supervision: Pingguang 琢 also.
• Music: manzo, diboming.
• Animation: Animation Workshop.
• Sets: 12

Looking back at the animation life of the past few years, there is a very important keyword, that is, “crowding out”

For example, the most representative Japanese light novel field. To a small point, I personally read the traditional library light novels in recent years. Except for a few long-running serials still being pursued and popular works that are animated and lively, most Japanese reading time is all. It was taken away by the net text and bookification that became a novelist. It is more obvious to say that the traditional light novels have been hit by the nets on the ground, regardless of the original or the animation. The change in the occupation and preference tendency of the individual in the leisure time is reflected in the shift of the fashion trend and the redefinition of the novel market map

The crowding effect brought by mobile games is more complicated. Because of the large coverage, high degree of freedom, strong sociality, long period, and high mortality of the mobile game itself, its play style is extremely flexible. Compared with the simple and easy-to-follow space in the field of light novels, the impact of mobile games is more extensive, more permeable and difficult to count. Recently, I chatted with many Japanese game and animation industry people. They all expressed the same kind of indignation that although the data is not easy to investigate, but our console games/animation discs can’t be sold out, it’s because the user’s money is used to play mobile games.As a person who has experienced the power of hand travel in time and money, it is difficult to refute

After all, there have been games that I played every day, games that have been playing for a few years, games that have cost a lot of money, but the collection of mobile games has been playing for a few years every month. I spend a lot of money, and let me think about it all the time every day – such as when I go to work, “I am so quick to get rid of my physical strength” – in the form of the game, I have never encountered it

In the round of mobile game, the time, money, and attention that were originally used for other entertainment were taken away, and what is even more terrifying is the subtle capture of “demand”. Let me just say, what I am talking about is the group girl’s mobile game for the daily animation. This squeeze is accurate and shocking

I often mention how the refugees’ daily films are like in the end of the season. The daily animation is not the same as the original comic, there is a natural congenital deficiency. The daily routine of your plot, the daily routine of the atmosphere, can’t change the “non-daily” of the program form in the end – TV animation single season 12 episodes 300 minutes, no more. Even if luck is good for the second season, it will be another 300 minutes after two years. The short-lived, daily rations should have a high continuity, but it is difficult to be spread out long by the restrictions of the animation media. It is difficult for the audience to accept the original contradiction of “every day is not every day”, so the people are hungry and the refugees are rogue

And this contradiction is taken over by the characteristics of the mobile game

Refugees are screaming and want to see you? They don’t need the girls to go to the world to prosper. They just want to see them lingering forever and frequently, wanting to see their own role, and the relationship between the role and the role of the interaction. And these, the mobile game father has

The number of girls in the mobile game is high in quality and strong in character. The interaction is a new event and new story in Zhou, and the form is inherently powerful and long enough. Refugees not only do not have to worry about sleeping on the streets, they can even get a dedicated, targeted and accurate access channel. Perfect

Mobile game is almost perfect for daily animation, but after all, animation can be broadcast on TV, mobile games can’t. Well, the hand swims in the inch and changes the animation

Under the premise of the game as the ontology, these years of mobile game animation have such a routine. The first honesty is done well, and the first wave is to make the game famous. After the game is up and running, there is no need to be as honest as the first one

Because the purpose of animation has changed at this time, the mobile animation at this time is more reinforced for the continuity of the game, and the story can be simplified, the production cost is reduced, and the development is short-cycled. So you understand, for the two years of the game and the animation of the game, it’s the first sequel to the really good knocking of the bowl, etc. Finally, I finally waited for the second The third quarter results are q version, is instant noodles, is 3d? Because you can satisfy the continuation of daily animation by relying on these, do you want beautiful girls? It is for you. Still looking forward to the high-level production of the old powder in the first season, can save, there will be no

As such, the new series of everyday animations is even more difficult to compete with mobile games and their derivative animations. Your cost is the normal animation cost, the production cycle is the normal animation cycle, can you sell and still face the test of the market, and what is the low cost of development and the basics of the game?

It’s hard to fight, so in the past few years, the daily animations of the second season have basically disappeared. The sequels are all the sequels that were not fully occupied before the game was held three or five years ago

And recently I was particularly impressed by the fact that a friend of a famous animation chain in Japan told me that the surrounding of the new daily animation is completely sold outside the similar mobile game. Be aware that the image licensing perimeter is a considerable source of income for everyday animation

So how do you fight? Why fight? It’s hard, but it’s not necessarily a dead end

We have analyzed in the past that daily animations are caused by the non-daily nature of the daily nature of mobile games, resulting in a decline, the essence of defeat, can only be found in nature

The essence of everyday animation is “animation” in addition to every day. Animation as an image medium, its image advantages are beyond the reach of current mobile games

So the daily animation is to compete with the hand-held game. After all, it depends on the image effect based on the nature of the animation itself, that is, painting, that is, the mirror, that is, the sound, that is, acting

These elements can often be summed up in a broad sense of “performance.”

So after a lot of nonsense, I finally want to briefly recommend the new program in October 2018, “ANIMA YELL!” with the theme of cheerleaders. This piece is amazing, it is awesome!

Director Sato Masako was the first director. She was born in Ghibli and was brilliant. Specific to the film, let me see in addition to the performance in a broad sense, as well as the performance of the narrow sense, excellent!

And the eighth episode of this film is probably the best single episode I have seen in 18 years, no matter in general or narrow sense. After reading it, I was thrilled with excitement. This episode is simply the best single episode of this year (18 years)!

After investigation, “Three Stars Color Adventure” is not 17 years but 18 years in January. Therefore, the 10th episode of “Three Stars” is the best single episode of the year. The cheerleading episode 8 is just the best performance single episode

By the way, Director Sato has a microblog, @satom2017, and sent some thoughts about the show, with translation. Every paragraph is full of excitement and thought-provoking

So the conclusion is that, according to the previous deduction, under the pressure of the mobile game, the performance is good, and the advantage of the animation itself is taken into account, which is the way out of the daily animation, because other aspects can’t be done

However, I know clearly that I need to rely on talent and ability to make a way out. After all, I can’t resist structural defects. I am afraid that the daily animations in the future will show the trend of quality and quality, and the trend of losing a helmet in business

And the virtual anchors are starting to end, they will also squeeze a considerable portion of the daily department’s needs

The outlook of the daily department is still bleak

I think only Cygames dad can save everyday animations, and their game adaptation animations are far removed from the previous routines. There are many seasons of high-quality long series of respectable and cute, and there is no light to do animation games

[Painting angle – 2018 Anitama recommended TV animation].

※ Recommended range: Animations that can be broadcast in 2018.

“Slow Start”.

• Original: See you only.
• Supervisor: Hashimoto Yuki.
• Series composition: Inoue Mei Xu.
• Character design, master painting supervision: An Ye will be people.
• Main original paintings: Yoshida Yura, Nogata Masaru, Matsuo Yusuke, Takahashi Ken, etc.
• Animation: A-1 Pictures.
• Sets: 12

“Slow Start” Due to the existence of production director Seto Toshiro, many original artists who are good at drawing performances have been drawn. The density of acting is very high. The film itself is an animation with a beautiful girl as a selling point, and the acting paintings also just match the needs of the cooperation products. As the main original artist of the film, Yoshida Yuliang has fought a lot of high-quality acting from the first words to the final words, and the film is also the most painted in 2018, especially in the second episode. The painting supervision of the sports part is extremely high in this part of the painting. In addition to the two, other original painters also have a bright performance, it should be arguably the most paintable film in the daily animation of 2018

“Toward the mountain to the third season”.

• Original:しろ.
• Supervisor: Yamamoto Yusuke.
• Series composition: Yamamoto Yusuke.
• Character design, master painting supervision: Matsuo Yusuke
• Main original painting:ちな, Matsumoto Kenzo, Shimada Kazuo, Gu Qicong, etc.
• Animation: eight bit.
• Sets: 13

Compared with “Slow Start”, Xiangshan’s paintings don’t like “moving”, and quite a lot of good paintings that are not mad type last month. The fourth words of Matsumoto Kenzo and the fifth words of Matsuo Yusuke are the most representative. The diversity of Xiangshan has always been a feature, retaining the original artist’s personal style, the tenth words of this dynasty, theちなThe three episodes of Shimada and Akira’s work are very different in style, which is very suitable for painting enthusiasts to get started

“NARUTO NEXT GENERATIONS Naruto Ninja New Era”.

• General Supervisor: Abe Records.
• Supervisor: Yamashita Hiroshi (1-66) → Fujii Junro (67-).
• Story Supervisor: Xiaotai Knife Right Beijing.
• Series composition: Shangjiang Zhoucheng (1-66)→Honda Yaya (67-).
• Character design: Nishio Tie also, Suzuki Bowen.
• Sub-role design: Ichiro Saino, Takino Koji.
• Main original paintings: Huang Chengxi, Yamashita Hiroshi, Masada Masahiro, Taguchi Ai, etc.
• Animation: Studio Pierrot.
• Sets: 80+ (undetermined).

Guang Huang Chengxi’s 65 episodes are enough for last year’s recommendation. This episode can be described as a result of a lot of network animators, the results of many national original artists, and the quality of the complete theatrical animation. In addition, the new OP or ED has a lot of original paintings such as Matsumoto Kenzo’s participation, there will always be some unexpected surprises

“DARLING in the FRANXX”.

• Supervisor: Jinzhi Dunshi.
• Deputy Supervisor: Akai Junwen.
• Series composition: Jin Zhi Dun Shi, Lin Zhixiao (MAGES.).
• Character design, master painting supervision: Tanaka will congratulate.
• Mechanical design: Hill is heavy.
• Action Supervisor: Today’s Shi Yangzhi.
• Main original paintings: Lin Yongxiong, Jin Shijun, Bin Kou Ming, He Ye Hui Mei, Qi Gang History, etc.
• Animation: TRIGGER, A-1 Pictures.
• Sets: 24

The national team is a national team after all. Under the appeal of Nishikori and Fukushima Yuichi and TRIGGER, the film painting level is not to be questioned. Whether it is the role of acting or mechanical fighting, there is a good scene. The original artist shot

“The Attacking Giants Season 3”.

• Director: Araki Kuro.
• Director: Fat Zhengzheng.
• Series composition: Kobayashi Jingzi.
• Character setting: Asano Kyoko.
• Action painting supervision: Shiliang Youzi, Imai has a text, Hu Tuo mill.
• Production company: WIT STUDIO.
• Sets: 12 (Part 1, Part 2, broadcast in April 2019).

The long shots of the stereo motorized device are very amazing, especially the long shots of Imai’s second episode in the second episode. WIT split the third quarter, and to a certain extent also improved the quality in the intense construction period, so that the whole season has a higher level of combat painting

[2018 Anitama recommended theatrical animation].

※ Recommended range: BD/DVD will be released in 2018 or animated works released in the year of 2018.

“The Flower of the Sunshine ~ The Flower of the Decoration in the Early Morning”.

• Supervisor, script: Okada Yuri.
• Deputy Supervisor: 筱原俊哉.
• 分 分: 筱原俊哉, 平松祯史, Ando Masahiro, Kobayashi Kwan, Shibuya Naoki, Tachibana, and Okada.
• Core Guidance: Pingsong History.
• Performances: Hiroshi Sugawara, Hiroshi Matsuzaka, Nagai Ryuu, Xu Wei, Hashimoto Changhe.
• The role of the original case: Yoshida Akiko.
• Character design, master painting supervision: Ishii Yuriko.
• Character design assistant: Inoue Junzhi, Pingsong history.
• Main animator: Inoue Junzhi.
• Art Supervisor: Dongdi Hesheng.
• Art setting, concept design: Okada has a chapter.
• Photography Supervisor: And Mu Zhi.
• Editor: Takahashi Step.
• Music: Kawai Kenji.
• Music Producer: Jijiang Huicheng.
• Sound Supervision: If Lin and Hong.
• Animation: P.A.WORKS.

This book can be called the collective work of PAWORKS. There is no ancient person before, and it is very likely that there will be no one afterward. President Kawasaki is responsible for part of the production and work. According to interviews, this is his last personal visit. After that, he will only be responsible for the early stage and management work. The famous scriptwriter Okada was responsible for the supervision for the first time. The top Japanese animator, Inoue Jun, was responsible for more than a quarter of the entire film, and devoted all the production power of PAWORKS

The story is not talked about in the old days, here is the author’s own understanding. I personally think that this film can be said that Okada is the projection of the scriptwriter experience, Okada corresponds to the longevity of the Iofu girl, that is, the actress Machia and the female No. 2 Lilia, and the responsible works correspond to the female in the play. No. 1 adopted by Aquila and Relia who was adopted by Macchia

The former pair is a work that has a lot of dominance and good results in the Okada scriptwriter experience, while the pair of Relia and Medogel are works with more power interference in the production. With this idea, many important passages of the film have completely different interpretations. In particular, Leria jumped off the scenes of Gaoya and Medogel to say goodbye. Is it possible for the writer to find that his work has completely deviated from his hope? Farewell?

Of course my interpretation is just my wishful thinking. In all interviews with Okada, Okada did not say that there is a metaphor above, which may be the author’s misunderstanding or Okada does not want to limit everyone’s imagination. But it can cause the author to be so confused, enough to be the reason for recommending this

“Yesterday Blue Sky”.

Last year, P.A.WORKS President Yu Chuanxian asked me such a question:

“In the Chinese painting animation (middle sheet), how many proportions can be upgraded to the original painting?”.

(To avoid confusing “animation”, the traditional animation below refers to the middle sheet, and the simplified animation refers to the animation work).

I want to talk about a big premise here. As far as I know, Japanese animation directors, producers, and presidents are basically ignorant of the state of Chinese animation industry. Some of them may start from the grassroots level of production, and there may be opportunities to contact China’s outsourcing. Most people, especially high-level ones, have little or no basic understanding of the Chinese animation industry

So I think the problem with the boss of Suichuan is actually a bit pan. He may not know that the Chinese animation industry is more than ten times more complicated than Japan. The animation rate he is interested in is completely different in China and in Japan

But I have a certain degree of understanding of PAWORKS. I feel that he understands the purpose of asking this question, so I gave him a number and made it clear that this number is actually what I think about my head, not necessarily accurate or It is basically inaccurate, but it is based on your premise, and Japan should have a certain degree of horizontal comparison

He was very surprised: “How can it be so little? I heard that there are many talented animators in China.”

I said that you are right, I still know a few. But the problems we face are much more than you can imagine

We talked a lot later, and I told him a lot about China. However, I found that the deeper I talked, the more I felt that the question of his initial animation was a glimpse of the problem. There were a lot of secondary problems, including the training and education of the animators, salary and career development. It includes the talent reserve, management, creation and business combination of the animation company. Going bigger, it includes structural problems in the development of the industry

These questions, each piece can be said to speak thousands of words. But don’t forget, this is just one of the many articles recommended at the end of the year. The limited space can only be discussed briefly about structural issues, and the rest will be left to future opportunities

Among the Japanese animation companies, PA is almost the company that is most willing to speak for the anime person’s situation, whether through works or through social media. Including the president of Sasakawa, I have mentioned the importance of PA for the cultivation of young talents more than once

So in PA, how can an animation be upgraded? The PA official website is very clear: 1 draws 500 animations per month in March; 2 includes internships, draws 1 year of animation, and reads enough original paintings to understand how to draw original paintings for animation; 3 Submit the original painting work every month. The director of the painting will make a comprehensive judgment based on the results of 123

PA official website company description QA: https://www.pa-works.jp/q-a/index2.html.

This request for the promotion is not simple. President Sakagawa once lamented that the original painting rate is too low. In order to cultivate more original paintings, only the human-sea tactics can be used to increase the base. The new PA building was built to accommodate the big base animators. For the question that Suichuan first proposed, PA gave the answer that 30 new animations were recruited each year, and only four or five of the original paintings could be made

So we have such a problem, the animation can not rise to the original painting, what should I do?

PA official website also said the same page:

“In terms of the size of our company, the conditions for the treatment of animation are quite good in the industry. PAWORKS needs the original painting. If one sentence may lead to misunderstanding, for us, the animation is for Cultivate the first investment of the original painting. Speed, workload, price and other factors make the Japanese industry’s animation dependence on overseas only higher and higher (Note: Japan’s animation 90% is sent overseas). This trend we can not We believe that the survival of Japanese animation only exists in the inheritance of the various expressions of the original painting. The reason why we try to give animation is that we believe that companies of this scale cultivate talents for painting at the local level. Great possibility.”

Summary: The speed workload price causes the animation to be highly dependent on overseas, so you don’t bother your Japanese. Our high-paying animation is counting on cultivating you to become the original painting

The high treatment in the mouth of the PA, as far as I know, is not low in Japan, and the cost of living in Toyama is cheap. But even so, 16 years still broke the PA an animation online pains, said that the money is small and three years can not rise to the original painting will be disguised

This is enough to show that the profession itself, or the type of work, is difficult to survive in Japan. In recent years, the bottom-level animators have reported that their work is low and the situation is low. Many of them can be attributed to this situation. You are not at work, you are learning, tiredness is normal, and it is normal to be eliminated. What you are doing is working in a low-income country overseas. Take less money and not be too normal. Let’s not talk about the right and wrong of these words of the capitalists. This situation is the current state of existence

Animation requires tight delivery time, large workload, low price and relatively low technical requirements. It is a labor-intensive industry with low added value and low technical content. Japan, which is a technology-based country, has shifted its animation overseas, and developed countries such as Japan have transferred the low-value-added and low-tech labor-intensive production assembly in their traditional manufacturing industries to developing countries such as China and Southeast Asia.

However, the particularity of animation production and traditional manufacturing is based on the way people are trained. To train a mobile phone designer, he does not need to skillfully assemble 500 mobile phones every month. However, in order to cultivate an original painting, in addition to the geniuses of the other unique ways, the currently known methods can only be trained by many animations. Come. The biggest structural problem facing the Japanese animation industry is that after the animation link has been transferred overseas, its production function has been successfully taken over overseas, but the animation talent cultivation function has been delayed and cannot find an efficient and large-scale alternative..

So, to solve the problem in the Japanese animation industry is very simple, find a way to directly cultivate the original painting without drawing animation. Of course, even if the PA, which is well-known for cultivating talents, has not done so, they know that the high elimination rate will bring a series of problems, or they will raise the animations they don’t need, and they will be poked. The backbone is boned

In exchange for a taller statement, the Japanese animation industry has basically completed the transfer to high-end industries in recent years, basically achieving low-end production capacity, but now faces the problem of high-end talent training brought about by the lack of low-end production capacity in China

This structural problem is the essence of the problem of Japanese animation

The problem of the animation and the original painting rate is that the industrial structure is different from that of the Chinese animation industry in Japan. The nature of the problem is naturally different. The problem in Japan is that there is a high-end upstream, but there is a lack of low-end downstream to deliver high-end training talents. In China, there is a low-end downstream that Japan has transferred, and what is lacking is a high-end upstream

When Suichuan asked me that there are so many talented animators in China, why did I tell him the problems we faced when they were so low? These problems are ultimately linked to the lack of high-end animation in China, that is, There is a lack of structural problems in high-tech creative talents such as original paintings, performances, mirrors, and directors

There is no high-end link. We will lack the purpose and system of training talents from the low end. It is also the lack of talents with guiding ability. How low is the efficiency? And where are the talents that have been cultivated inefficiently and where are they going to be placed? In the absence of high-end industries, is there any high-end original painting work that can be done for him? If the market has long been occupied by overseas animation works, can it ensure that the high-tech original painting work will be treated more efficiently and will not flow overseas? For animators, high-tech content represents the self-realization of creation. Can we provide them with a higher sense of accomplishment besides material treatment? Can they be provided with the motivation to further develop their skills and enhance their creative ability? Wait a minute, etc., in the absence of high-end industries, it seems that everything in the animation is a problem

For the individual, the problem will be easier to solve. There is no high-end link in China, and Japan has it. Going is it. As a result, more and more Chinese people went to Japan to learn animation and animation, their personal abilities are rising, management levels are rising, and Sino-Japanese exchanges are further strengthened. The level of so-called Chinese people in Japanese animation is getting higher and higher. For example, the sixth episode of Gullit is the best example. This is also the solution to the most shortcuts to structural problems. Japan lacks talent delivery from the low end, and China lacks high-end talent needs, which is a hit. Then there will be more and more such cases

And it is much more difficult to build a new high-end industry from a low-end domestic market. But pioneers in different industries have already used their actual actions to tell us that the best way to revitalize backward industries in China is to concentrate on doing big things

So I just praised the practice of “Ying Qing”. In addition to the quality of the work itself, I value more about the symbolic significance of the pure domestic elite production strategy adopted in the development of the industry

Although China’s animation industry is still dominated by low-end, but there is no individual high-end talent, “Ying Qing” put them together to provide high-quality work for them to play. The high-quality production directly wiped out the animated audience’s consistent impression of the quality of domestic animation, and opened up the animation market formed by a new audience that was not available in the past, and finally achieved good box office revenue. This benefit has boosted the confidence that domestic animation can rely on higher quality to achieve good results, and laid a new business model, which will improve the investment environment in the future. In the improved investment environment, there will be more capital invested in the high-end animation industry for the audience animation market demand. The investment will make the animation industry shift to the high end in technology, and finally form a virtuous circle

Of course, many people who see this paragraph will feel that there are so good things and they are too beautiful

But this is what other industries are already doing and must do. Both industrial transformation and economic development require that the animation industry must take the initiative to make changes and solve the existing high-end structural problems

Yes, the thing that “Yesterday” is doing is the supply-side structural reform of the animation industry

[2019 Anitama looking forward to the animated version of the animation].

“Code Geass Resurrection of Lelouch”.

• Supervisor: Taniguchi Goro.
• Script: The first floor of Dahe.
• Character design original: CLAMP.
• Character design: Kimura Kyuhiro.
• KnightMareFrame design original case: Yasuda Lang.
• KnightMareFrame Design: Nakata Rongji.
• Mechanical Design・Concept Design: Teraoka Kenji.
• The main original artist: Kimura Kyuhiro, Thousand Yu Yuri, Nakata Rongji, and Zhonggu Chengyi.
• Art Supervisor: Lingmao Code.
• Color Design: Shibata Akiko.
• Photography Supervisor: Chiba Ocean.
• Editor: Morita Kiyoshi.
• Sound Supervisor: Izawa Kiyoshi, Urawa Yasuke.
• Music: Nakagawa Kotaro.
• Title song: Home inレオ”この世界で”.
• Ending theme song: UNIONE (ユニオネ) “リバイブ”.
• Interlude: ALI PROJECT “USしき獣たちのisの”.
• Release: Showgate.
• Release time: February 9, 2019.

2006’s first “Code Geass Rebellion Lelouch” and the 2008 sequel “Code Geass Rebellious Lelouch R2” set off a strong response to the “Code Geass” series, launched the OVA Code After the multimedia of Geass’s dying Ajid and other rumors, comics, games, and stage plays, he returned to the animation that represented the “ZERO era.” From October 2017 to May 2018, after the addition of a new screen and dubbing in the TV series, the movie version of the total collection of 3 chapters was released

“Code Geass Resurrection of Lulu Xiu” as a completely new movie acrobatics after the end of the game, supervising the original class of Taniguchi, the ground floor of the script Dahe, Muqian Guihong, Qian Yu, Yuri, Nakata, and Nakagami The people gathered again, and all of them were full of expectations for this new work that began to come out. It is still waiting to see what kind of form Lulu Xiu will appear in the new work

“Youth pig head boy will not dream of a beautiful girl.”

• Supervisor: Build a strong one.
• Script: Yokogawa Changhong.
• Character design: Tamura Rimi.
• Music: fox capture plan.
• Production: CloverWorks.
• Release: Aniplex.
• Release time: 2019 early summer

Adapted from the original volume, Volume 6, Volume 7, is a continuation of the TV animation “Youth pig head boy will not dream of a rabbit girl sister.” The contents of these two volumes are also quite wonderful in the original. In the TV version, I have to consider where each word should end, and this form is a theatrical version, which should be able to promote the development of the plot more smoothly, and also help the production team to choose the content of the story. As the first theatrical release produced by CloverWorks, it is still worth looking forward to

“Theatrical version of Gundam Reconguista in G”.

• General Supervisor: Tomino Yuki.
• Script: Tomino Yuki.
• Character design: Yoshida Kenichi.
• Mechanical design: Yasuda Lang, the shape of a flat, the mountain roots and interests.
• Music: 菅野佑悟.
• Animation: SUNRISE.
• Release time: 2019.

The picture is one of the concept maps of the Mobile Suit Gundam 40th Anniversary Plan, a non-theatrical poster.

2019 is also the 40th anniversary of the “Mobile Suit Gundam” TV series, and will launch the “Mobile Suit Gundam 40th Anniversary Plan” from 2019 to 2020. As part of the project, Gundam Reconguista in G, which has been in use for many years, will also be reproduced in the form of a “theatrical collection”

The theater collection is a TV series that was launched in 2014. It will be re-constructed with a large new screen and image. It will be launched during the year. As early as 2015, General Tomino received an invitation to produce the “Theatrical Collection”. In the interview, Fu Ye repeatedly emphasized that the theatrical version is the first one. The original work was placed in the late night. Dissatisfied, I don’t want to hang the “Gundam” name, the TV version only participated in the script and (almost all) splits, this time will personally completely refine this part as a “performance”, it is expected to be 5, this is also Fuye The Chief Superintendor has the first ever total of more than three theaters

The audience familiar with Fuye’s works should understand that his “theatrical collection” has always been different from the TV series. In the past interviews, I also said that the five mirrors have been completed, especially the fifth one is particularly interesting, but he also said that if the box office is not ideal, then the next four may not be able to see the day. This is only because you can go to the cinema to see a money field. Then, in what kind of posture, this work will return to his “original appearance”, and it will be seen after the film is released

“The Son of the Weather”.

• Original work · Script · Supervision: Xin Haicheng.
• Character design: Tanaka will congratulate.
• Painting supervision: Tamura 笃.
• Art Supervisor: 泷口比吕志.
• Animation: CoMix Wave Films.
• Release: Dongbao.
• Release time: July 19, 2019.

“Your name. The fiery performance at the box office and discussion made Xin Haicheng’s next work highly visible. This book will tell the story of the young girl who is teased by fate and chooses her own way of life in a time when the weather and climate are calm and sometimes violent. According to the statement that Xin Haicheng first appeared in the TV program, it is a work of a little adult and dark colors. How these elements are integrated together is difficult to see in the existing information, and can only be expected to be followed

At the end of last year, Xin Haicheng’s blog post on his personal website also mentioned that in the past year, he was only producing the “Child of the Weather” for a year, planning, scripting, and mirroring. Seriously considering. In the comments of the world, “The next work is a decisive victory,” Xin Haicheng recalled that he would have such an experience in his debut. Then every time a new work is publicly available, he can hear such a voice, which makes him feel determined and pressured, and he holds the idea of “hoping that the “Child of the Weather” can hear such a response after it is published.” Do your best

The production team participating in “The Son of the Weather” should be quite powerful in all aspects, and in the “Child of the Weather”, it seems that I can also see a lot of linked eggs in the past. Shin Hiroshi said that he is now working hard to produce the movie he wants to watch most, hoping to coincide with everyone’s “want to see” place. This time it may be that Xin Haicheng once again retrieved his own work in the past, and may not be like “your name.” “There are so many praises, but in any case, Xinhaicheng’s works are worth looking forward to

“Theatrical version Blows! The finale of the Euphonium ~ Oath ~”.

• Supervisor: Ishihara Ryo.
• Script: Hanada Tenhui.
• Character design: Ikeda Akiko.
• Art Supervisor: Sugawara Kazuo.
• Color Design: Takeda Mingdai.
• Instrument settings: Takahashi Bosho.
• Photography Supervisor: Gao Weiyi also.
• Sound Supervision: Tsuruoka Yang Tai.
• Music: Matsuda Binren.
• Music Production: Lantis, Heart Company.
• Animation: Kyoto Animation.
• Release: Shochiku.
• Release time: April 19, 2019.

Animation “Blow! The quality of the Euphonium series has always been excellent. After the series of independent works “Liz and Jade Bird” is released, on April 19th, the finale of “Oath of the Oath” will be released. In this work, Huang Qiang Jiuzi and others rose to the second grade, and the playing department also ushered in a new group of members. The passage of time, the transformation of identity, the North Uji High School Winding Department opened a new page, and the story is still being written. Not much to say, just by “Blowing!” The name of the Euphonium is worth looking forward to