The illustrator Kiyomizu Shimizu shared the relationship between the creator’s working status and the use of Twitter frequency:

  • When the progress is good: Because the mood is high, it is frequently pushed
  • When the progress is subtle: Because you have to complain, you often push it
  • When the progress is not good: Because you want to escape the reality, you often push it
  • When the progress of the mountain is running out of water: I don’t dare to look at the world, so I can’t brush it

(https://twitter.com/you629/status/1159276835684831233).

The screenwriter Yishen said that if he heard someone say “I am not interested in selling, success,” even if this person is modest, he will feel the other person selfish. If you are grateful to those who work with you and support yourself, you will not say such things. Even if people think that they are novels written by one person, there is a lot of people working together, such as editing, binding, promotion, and sales

(https://twitter.com/nobuyukiisshiki/status/1161888730770055168).

The cartoonist Jin Ping shou said that there are many differences between comics and illustrations, such as whether there are compartments, dialog boxes, plots, etc. But the biggest difference in his heart is that comics must have “a scene that doesn’t really think about painting.” For artists who only want to draw their favorite pictures, this threshold is very high

If a person has the technical ability to “draw any picture, want to draw” and greedy thinking, then he must be very suitable for comics. Jin Ping is very admired and envious of such people. He believes that even in professional comics, there are very (few) such people

(https://twitter.com/sinesine2015/status/1161477060172374016).

Illustrator Sushi said that it is an advantage of amateur creators to paint only what they like or are good at and to be recognized. In an era when there is no social network, in order to obtain an unspecified majority of recognition, we must first create an environment that allows these people to see, so we have to practice what we don’t want to paint and become a professional creator. He felt that it was a good time

(https://twitter.com/t_kotobuki/status/1161524626121527296).

The light novelist Rootport said that the average consumer is nothing. The person who participates in the creation should not attribute the reason to the author’s personality when he sees the level of general works. What is meant by “because it is a male writer, so write?” “The mood of a woman”, or “because it is a female writer, the dialogue of the male character is disgusting”. This kind of statement will make people understand that the reason why the work is low is because of “technical reasons.”

“Can’t write a woman’s mood”, not because the author is a male, but because he lacks the technique of deceiving the reader and letting the reader think that he “writes the mood of the woman.” Of course, the reason for the lack of technology may be due to the gender of the author. But what should be considered a problem is the author’s technology, not the gender

Sex, in turn, the same is true of “the disgusting dialogue of male characters” because the author is a woman. A deeper analysis of “disgusting” should be done. Which line makes you feel sick? Why do you feel sick? It is only necessary for the biologist to count the insect’s hair under the microscope, and to dissect the work as carefully as possible

(https://twitter.com/rootport/status/1162007541787713537)


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